Synchronized Swept-Sine: Theory, Application, and Implementation - October 2015
Effect of Microphone Number and Positioning on the Average of Frequency Responses in Cinema Calibration - October 2015
The Measurement and Calibration of Sound Reproducing Systems - July 2015
Our first goal should be for live sound to become a significant market force. Live sound makes different demands on equipment from those of recording or postproduction. For many years it seemed that most equipment manufacturers aimed their products solely at the music recording industry, although live sound was always a much bigger market. This was probably because they understood what the recording industry wanted, because the members of that industry generally wanted the same things. Live sound has always been rather fragmented. We do not all do exactly the same things and so our equipment priorities are not identical. As an industry we have always been better at airing differences than finding common ground.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.