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Far-field pickup of large musical ensembles can use coincident, near-coincident, or spaced microphone arrays. After a brief theoretical introduction, an orchestra recording made by using the three microphone techniques simultaneously on multiple recorders will be demonstrated. . The demonstration tape has been edited to sequentially present the three basic techniques. Audible differences from each technique can then be easily compared.
Author (s): Shafer, Robert T.;
Affiliation:
WDET-FM, Wayne State University, Detroit, MI
(See document for exact affiliation information.)
AES Convention: 69
Paper Number:1753
Publication Date:
1981-05-06
DOI:
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Shafer, Robert T.; 1981; A Listening Comparison of Far-Field Microphone Techniques [PDF]; WDET-FM, Wayne State University, Detroit, MI; Paper 1753; Available from: https://aes.org/publications/elibrary-page/?id=12000
Shafer, Robert T.; A Listening Comparison of Far-Field Microphone Techniques [PDF]; WDET-FM, Wayne State University, Detroit, MI; Paper 1753; 1981 Available: https://aes.org/publications/elibrary-page/?id=12000
@inproceedings{Shafer1981a,
title={{A Listening Comparison of Far-Field Microphone Techniques}},
author={Shafer, Robert T.},
year={1981},
month={may},
booktitle={Journal of the Audio Engineering Society},
publisher={Paper 1753; AES Convention 69; May 1981},
number={1753},
organization={AES},
}
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