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Modern real-time digital audio communication systems rely heavily on discrete time processing at every stage of the journey from source to distinction. More often than not implemented in the ubiquitous DSP, processes such as A/D & D/A conversion, audio compression for data rate reduction, sample rate conversion, reverse or inverse multiplexing, transfer of data through the layers of a telecomm protocol stack, etc, all contribute to the end-to-end delay of the audio. Knowledge of what causes these delays can aid system designers and integrators in setting up audio links that minimise such delays. This paper examines the practical details of why and where these delays occur, under the following headings : Physiology of Delay Converison Audio Bit Rate Reduction Data Transmission Circuits System View
Author (s): Feerick, Michael;
Affiliation:
Audio Processing Technology, Belfast, Northern Ireland
(See document for exact affiliation information.)
AES Convention: 112
Paper Number:5517
Publication Date:
2002-04-06
Session subject:
Computer and Internet Audio
DOI:
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Feerick, Michael; 2002; How Much Delay Is Too Much Delay ? [PDF]; Audio Processing Technology, Belfast, Northern Ireland; Paper 5517; Available from: https://aes.org/publications/elibrary-page/?id=11369
Feerick, Michael; How Much Delay Is Too Much Delay ? [PDF]; Audio Processing Technology, Belfast, Northern Ireland; Paper 5517; 2002 Available: https://aes.org/publications/elibrary-page/?id=11369
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