In This Section
AES Store
- Learn From The Experts:

Phil Ramone "Music Production"- Oral History Project Gallery
- Other AES Publications
Journal Forum
Virtual Localization by Blind Persons - July 2012
1 comment
Effect of Spatial Location and Presentation Rate on the Reaction to Auditory Displays - July 2012
1 comment
Watermark-Aided Pre-Echo Reduction in Low Bit-Rate Audio Coding - June 2012
1 comment
AES E-Library
How Much Delay Is Too Much Delay ?
Modern real-time digital audio communication systems rely heavily on discrete time processing at every stage of the journey from source to distinction. More often than not implemented in the ubiquitous DSP, processes such as A/D & D/A conversion, audio compression for data rate reduction, sample rate conversion, reverse or inverse multiplexing, transfer of data through the layers of a telecomm protocol stack, etc, all contribute to the end-to-end delay of the audio. Knowledge of what causes these delays can aid system designers and integrators in setting up audio links that minimise such delays. This paper examines the practical details of why and where these delays occur, under the following headings : Physiology of Delay Converison Audio Bit Rate Reduction Data Transmission Circuits System View
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.
Learn more about the AES E-Library
Start a discussion about this paper!






