This paper describes a 5-channel recording for sound demonstration of a Baroque music ensemble with counter-tenor. The recording was made with seven microphones and subsequently mixed down to five channels. This recording is successful at capturing the music and energy of the ensemble in the natural acoustics of the church in which it was recorded.

Authors: Corey, Jason; Goyette, Johanne
Affiliations: Multichannel Audio Research Laboratory (MARLab), Faculty of Music, McGill University, Quebec, Canada ; ATMA Classique, Outremont, Quebec, Canada(See document for exact affiliation information.)
AES Conference: 19th International Conference: Surround Sound - Techniques, Technology, and Perception (June 2001)
Paper Number: 1883
Publication Date: June 1, 2001 Import into BibTeX
Subject: Surround Sound
Permalink: https://www.aes.org/e-lib/browse.cfm?elib=10106

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