It is well known that components of an electric guitar system contain even-harmonics properties inherently, such as vacuum tubes or Fuzz pedal feedback circuits. Furthermore, there are several popular pedals in the "Overdrive" category and the difference in timbers attributes to even-harmonics. However, it is difficult to identify the correlation between transfer characteristics and auditory nuances, which seems to involve psychoacoustic factors such as masking effect. In this study we developed a novel pedal that can continuously control the strength of even-harmonics and odd-harmonics, and clarified the high-order distortion effects from spectrum analysis of intermodulation distortion taking Loudness K-weighted full scale (LKFS) correction. This effector pedal must be a powerful tool for perceptual distortion analysis by using real instrument signal where masking effect occurs.
https://www.aes.org/e-lib/browse.cfm?elib=19500
Click to purchase paper as a non-member or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $33 for non-members and is free for AES members and E-Library subscribers.
Learn more about the AES E-Library
Start a discussion about this paper!