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Phil Ramone "Music Production - Mobile version"- Oral History Project Gallery
- Other AES Publications
Journal Forum
Virtual Localization by Blind Persons - July 2012
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Effect of Spatial Location and Presentation Rate on the Reaction to Auditory Displays - July 2012
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Watermark-Aided Pre-Echo Reduction in Low Bit-Rate Audio Coding - June 2012
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AES E-Library: Browse Entire Database
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- Preamble by Chairman
- Recording and Post-Production
- Digital Audio in Video Recorders
- Working with Professional DAT
- Automation and Control of Equalization, Gain and Pan via Segment-Based Processing DSP Systems
- Digital Workstation Networks for TV Postproduction-The Way Forward
- Digital Audio Bit-Rate Reduction
- Digital Audio Bit-Rate Reduction for Broadcasting
- APT-X00: A Low-Delay, Low Bit-Rate, Sub-Band ADPCM Audio Coder for Broadcasting
- AC-2: A Family of Low Complexity Transform-Based Music Coders
- Musicam Source Coding
- ASPEC Coding
- Subjective Assessments on Low Bit-Rate Audio Codecs
- Digital Audio Signal Processing
- So You Think Performance is Cracked Using Standard Floating Point DSPs?
- Applications of Real-Time Assignable FIR Filtering
- Considerations for Interfacing Digital Audio Equipment to the Standards AES-3, AES-5, AES-11
- A Practical Approach to Asynchronous Digital Sampling Rate Conversion with Signal Processors
- Multichannel Sound for HDTV
- Three-One Quadraphonic Sound System for High Definition Television
- HDTV Sound Systems: How Many Channels?
- High-Quality Sound for High Definition Television
- An Introduction to Digital Audio (Digital Audio Tutorial)
- Images of Audio (Digital Audio Tutorial)
- Sampling Frequency Conversion, Sample Slippage, Pitch Changing and Varispeed (Digital Audio Tutorial)
- DSP, Equalisation, Compression and Error Correction
- Digital Audio Recording and Error Correction (Digital Audio Tutorial)
- Digital Audio Interfacing-A Brief Overview (Digital Audio Tutorial)






