SOUND AND STORY, AMPLIFIED
Do your interests or work include Broadcast and Streaming, Networked Audio, Audio for Virtual and Augmented Reality, Live Sound, Studio Recording, Home Recording, Music Production, Game Audio, Sound for Picture or Product Development? The 143rd Audio Engineering Society International Convention has you covered in one exclusively end-user focused event.
All Access registration provides access to the entire Convention, including a comprehensive papers, workshops and tutorials program. Exhibits-Plus access gains you entry to the exhibition floor and demo rooms, where leading manufacturers reveal and demonstrate the latest in audio hardware and software tools. The "Plus" includes the application-oriented sessions on the exhibit floor Expo theatres and Pavilions, along with other special events.
AES New York 2017 will be co-located with the independent NAB Show New York 2017 event. In an adjacent exhibition hall, NAB Show New York exhibitors will be on hand with the latest video and distribution hardware and related sessions. Your Exhibits-Plus or All Access AES New York registration includes access to both exhibition halls.
If It's About Audio, It's at AES!
Featured Events
This is just a small sampling of what will be happening at AES this year!
Wednesday, October 18th
09:00 - 10:30
TW01 Audio Engineering with Hearing Loss—A Practical Symposium
Jon Boley; Richard Einhorn; Larry Revit; Michael Santucci
Listen to the experts talk about the audiological perspective and practical issues of audio engineers with hearing loss/tinnitus.
10:45 - 12:15
AC01 3D Audio Tools for Immersive Audio
Rafael Duyos; Nuno Fonseca; Gael Martinet; Connor Sexton
Presenting 4 different approaches to 3D audio.
11:15 - 12:30
TW02 Creating Sounds from Scratch
Scott B. Metcalfe; Andrea Pejrolo
A live demonstration using synthesis to create unique sounds.
14:00 - 15:30
B03 Deconstructing Binaural MacBeth
Sue Zizza; David Shinn; Neil Hellegers; Amanda Rose Smith; Dion Graham; William Dufris; Robin Miles; Ray Archie
Learn how experience live theater-going/streamed audio drama in an immersive sense.
17:15 - 18:00
NA01 Practical Benefits through AES67 Deployment in the Broadcast Industry: A Synopsis
Nestor Amaya
We will discuss how AES67 opens the door for a broader diversity of networked-connected solutions in your facility.
Thursday, October 19th
10:45 - 12:15
AC05 Loudness Issues in Cinema—Is the Reference Lost?
Eelco Grimm; John Fithian; Tom Fleischman; Charles Q. Robinson
Current issues with loudness in movies from different points of view.
10:45 - 12:15
GA05 Star Trek: Bridge Crew VR - Audio Post Mortem
Justin Drust; Matthew McCallus
New frontiers in VR game audio development from multiple perspectives.
13:30 - 15:00
PD05 Loudspeaker and Amplifier Power Ratings: Is it Time to Start Over?
Klas Dalbjörn; Charles Hughes; Claudio Lastrucci
What are the relevant requirements and how can we move forward to a unified way to understand and specify loudspeakers and amplifiers?
14:00 - 15:30
P11 Spatial Audio
Welcome to one of the best poster sessions happening in NYC this week!
15:15 - 16:45
SA07 Practical Immersive Audio at Home
Chris Pike; Jon Francombe; Hilmar Lehnert; Alan Seefeldt
A platform for discussion for making spatial audio experiences available in your living room.
Friday, October 20th
09:00 - 10:30
AR07 The Past and Future of Archiving & Preservation
Rebecca Yuri Feynberg; George Massenburg; Brad McCoy; Toby Seay; Nadja Wallaszkovits
A taste of next year's AES conference.
12:30 - 13:15
13:30 - 15:00
GA12 The “Horrific” Sound of Resident Evil 7: Biohazard
Akiyuki Morimoto; Ken Usami
The team will discuss about how the music design achieved the horror aspect of sound design and the game.
15:15 - 16:15
SA09 Kraftwerk and Booka Shade —The Challenge to Create Electro Pop Music in Immersive / 3D Audio Formats Like Dolby Atmos.
Tom Ammermann
Production philosophies, strategies and workflows to create immersive/3D in current workflows and DAWs will be shown and explained.
16:15 - 17:45
RP12 Music Mixing, Part 4
Richard King; Jim Anderson; Michelle Desachy; George Massenburg; Ronald Prent
Part 4 of this popular workshop in music mixing.
Saturday, October 21st
09:00 - 10:15
SR04 Theatrical Sound Design
Nevin Steinberg; Kai Harada; Scott Lehrer; Nicholas Pope
10:45 - 12:15
RP11 192dB DR, 32bit/DXD Ultra High Resolution Capture, Processing and Mastering Workflow for MQA, DSD and Future High Resolution Archiving and Delivery
Michal Jurewicz
This presentation is a complete back to back working example utilizing Mytek Brooklyn ADC and DAC mastering converters for modern mastering.
10:45 - 12:15
AR11 30th St. Studio
Dan Mortensen
Chronological history of the renowned studio from it's begining as a church through it's heyday as a recording studio to it's demolition in 1982.
13:30 - 14:30
GA15 Create Sound and Music for VR and 360 Using Common DAW Workflows.
Tom Ammermann
This session focuses on the latest initiatives and developments of Augmented and Virtual Reality research and development centers.
15:00 - 17:00
B13 What's This? Doctor Who with Spatial Audio!
Chris Pike
What happens in post to transform a normally recorded episode into a magnitude-enhanced experience?
Event FAQs
Find Your Answers
Exhibition Hours
Oct 18th 10am - 6pm
Oct 19th 10am - 6pm
Oct 20th 10am - 4pm
Technical Program
Oct 18th 9am - 6pm
Oct 19th 9am - 6pm
Oct 20th 9am - 6pm
Oct 21st 9am - 5pm
Registration Desk
Oct 17th 3pm - 7pm
Oct 18th 8am - 6pm
Oct 19th 8am - 6pm
Oct 20th 8am - 6pm
Oct 21st 8am - 4pm
You can pick up your badge from the Registration Desk during registration desk hours. They can look you up by name, or if you have received a barcode email then print it and bring it with you - that will speed up the process.
Registration Desk Hours
Oct 17th 3pm - 7pm
Oct 18th 8am - 6pm
Oct 19th 8am - 6pm
Oct 20th 8am - 6pm
Oct 21st 8am - 4pm
Yes! The world's largest pro audio end-user event returns to New York in October 2017, for the 143rd International AES Convention. Building on successes in New York in 2015 and LA in 2016, the Exhibition floor is poised for outstanding end-user contact.
Drawing additional attendees into the Exhibition hall, the exhibit-floor stages of the Live Sound Expo and the Project Studio Expo are proven to increase exhibits area traffic. In addition, new stages and events are being launched to further draw attendees to the Exhibition hall - the Broadcast Audio Expo and Broadway Sound Expo, a new software@aes Pavilion, an Audio 4 VR Pavilion, and a series of Mix with the Masters Mixing Workshops.
High visibility and high performance sponsorship opportunities are available for the Convention, track sessions and the Exhibits-area events. These sponsorships offer unparalleled advertising and branding benefits.
You can now book your hotel on our housing website. We have negotiated group rates at many of the hotels surrounding the convention center.
Our app for AES New York 2017 is still being finalized, but yes - we'll definitely have one!
Become an AES Member
Along with the status of peer-recognition as an audio professional, AES membership also affords discounts on convention registration.
