AES
  • Home
  • Program
    • Technical Program
    • Detailed Calendar
    • Special Events
    • Project Studio Expo
    • Live Sound Expo
    • Special Tracks (Game Audio, Broadcast, etc.)
    • Paper Sessions
    • Engineering Briefs
    • Workshops
    • Tutorials
    • Students/Career
    • Historical
    • Technical Tours
    • Presenter List
    • Standards
    • Technical Council
    • AVAR Conference (Co-located)
  • Attend
    • Attendees Home
    • Technical Program
    • Detailed Calendar
    • List of Exhibitors & Sponsors
    • Special Events
    • Registration
    • Book Your Hotel
    • LACC Map
    • Transportation
    • Mobile App (iPhone, etc)
    • Request More Information
    • Author Information
  • Exhibit/Sponsor
    • Exhibitors Home
    • List of Exhibitors & Sponsors
    • Mobile App (iPhone, etc)
    • Exhibitor News

    • Mobile App Sponsorships

    • Exhibitor Information
    • Sponsorship Info
    • GoExpo AES Planner
  • News/Press
    • Press Releases
    • Press File Downloads
    • Press Registration
  • Students
    • Student Sessions
    • Registration
    • Calendar
    • Career & Education Fair Company Signup
    • Book Your Hotel

AES Los Angeles 2016

Saturday, October 1, 1:30 pm — 3:00 pm (Rm 501ABC)

Restoration Audio: Music Today and Tomorrow

Moderator:
Bob Koszela, Iron Mountain Entertainment Services - Kennerdell, PA, USA
Panelists:
Nathaniel Kunkel
David McEowen, Universal Music Group - Sherman Oaks, CA, USA
Joe Travers, Vaultmeister for the Zappa Family Trust - Los Angeles, CA, USA
Brett Zinn, Chief Audio Engineer - Boyers, PA, USA

Abstract:
This panel addresses the challenges to restore degraded or damaged media assets including those affected by binder hydrolysis (sticky shed), tape binding adhesion (NOT sticky shed), mold, water damage, bent flanges, de-spooled pancake, salt residue, glue seep, splice repair, lubricant loss, static discharge and acetate spoking. The work-shop will discuss asset degradation encountered by an esteemed panel of archival engineers and the remediation processes developed and used to restore playback. Advancements in audio technology and tremendous changes in how the entertainment industry creates and monetizes content have challenged the engineers to accommodate requests to migrate, mix, master, store and distribute that content securely. Moderated by Bob Koszela of Iron Mountain Entertainment Services Digital Studios (who preserves over 28 million assets for its customers), the panel will show examples of various types of degradation to a wide range of audio formats.


Return to Special Events


Register 

Attendees

  • Wrap-up Press Release
  • Convention Pictures
  • Audio Recordings
  • Technical Program
    • Program Overview
    • Paper Sessions
    • Engineering Briefs
    • Tutorials
    • Workshops
    • Special Events
    • Students/Career
    • Historical
    • Knowledge Center
    • Technical Tours
    • Standards
    • Technical Council
    • AVAR Conference (Co-located)
  • Special Events
  • Project Studio Expo
  • Live Sound Expo
  • Special Tracks
    • Broadcast & Streaming
    • Game Audio
    • Networked Audio
    • Product Development
    • Product Dev. Super Saturday
    • Recording & Production
    • Sound for Picture
    • Sound Reinforcement Track
  • Registration & Hotels
    • Registration
    • Book Your Hotel
  • Detailed Calendar
  • Convention Planner (PDF)
  • Presenter List
  • AES Daily (PDFs)
    • Preview Edition
    • Day 1 - Thursday Edition
    • Day 2 - Friday Edition
    • Day 3 - Saturday Edition
  • Transportation
  • Mobile App (iPhone, etc)
  • Request More Information
  • Author Information
© 2016 Audio Engineering Society, Inc.