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The rapid proliferation of audio education programs in a variety of institutional settings has led to curricular design that is highly adapted and variable between regions, focuses, and educational environments. While there have undoubtedly been numerous successful approaches to program/curriculum design, there is little published data on the approaches currently employed across the sector, nor the effect that these curricular decisions may have on student outcomes. This initial study presents information on the past and current state of curricular order collected from a voluntary survey including participants from 35 institutions across six countries and three continents. Observations are made on typical topic presentation order, as well as a case study regarding the evolution of curriculum order within one institution.
Author (s): Leonard, Brett;
Affiliation:
University of Indianapolis, IN, USA
(See document for exact affiliation information.)
AES Convention: 149
Paper Number:628
Publication Date:
2020-10-06
Session subject:
Audio Applications and Technologies
DOI:
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Leonard, Brett; 2020; A Survey of Current Music Technology & Recording Arts Curriculum Order [PDF]; University of Indianapolis, IN, USA; Paper 628; Available from: https://aes.org/publications/elibrary-page/?id=20914
Leonard, Brett; A Survey of Current Music Technology & Recording Arts Curriculum Order [PDF]; University of Indianapolis, IN, USA; Paper 628; 2020 Available: https://aes.org/publications/elibrary-page/?id=20914
@inproceedings{Leonard2020a,
title={{A Survey of Current Music Technology & Recording Arts Curriculum Order}},
author={Leonard, Brett},
year={2020},
month={oct},
booktitle={Journal of the Audio Engineering Society},
publisher={Engineering Brief 628; AES Convention 149; October 2020},
number={628},
organization={AES},
}
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