- First Book in "AES Presents" Series from Focal Press
- New edition of Handbook for Sound Engineers, edited by Glen Ballou
- 137th Audio Engineering Society Convention Breaks Records and Draws Acclaim from Attendees, Exhibitors and Presenters Alike
- Convention reminds West-Coast audio community, “If It’s About Audio, It’s At AES!”
- AES 2014 Election Results
- The results are in!
- Time to Vote: 2014 AES Elections
- Deadline was Friday, July 11th
AES Press Release
AES Hosts Wax Cylinder Recording Session At Edison Museum
For Release: February 16, 2012
Suzanne Vega Cuts New Side On State of The Art Technology (Circa 1878)
WEST ORANGE, NJ The age of ear buds and mp3 downloads has eclipsed many ‘traditional’ recording technologies, on Friday, February 10, Suzanne Vega record a live performance directly to Wax Cylinder. Co-hosted by Audio Engineering Society Education Committee Chair John Krivit and NY Section member David Bialik, the event saw 30 Bay State College students and faculty members bus from Boston to the Thomas Edison National Historical Park in West Orange, NJ to audit this authentic 1888-style recording session.
Long relegated to the pages of audio obsolescence, Thomas Edison’s Wax Cylinders were the first popular format for music (and spoken word) distribution. The initial link in an evolutionary chain that stretches from lacquer LPs to vinyl 45 RPM singles to 8 track tapes and CDs, they thrived from 1878 until 1909 when they were replaced by discs.
“We’ve held similar demonstrations in Boston, and they’ve proved an excellent way to illustrate the creative relationship between physical science and recording,” John Krivit says. “It’s not coincidental that Ms. Vega performed her iconic Tom’s Diner hit for our demo,” Krivit points out. “Her original 1987 a capella version was used as a reference standard by audio engineering innovator (and AES member), Karlheinz Brandenburg in his development of the mp3 process.”
Photo 1. Suzanne Vega recording direct to Wax Cylinder at the Thomas Edison Museum with Museum Curator Gerald Fabris
2. (L-t-r) Edison Museum Curator Gerald Fabris, AES Education Committee Chair John Krivit, Suzanne Vega and AES Convention Committee Broadcast Chair, David Bialik,
The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org