144th AES CONVENTION Tutorials

AES Milan 2018
Tutorials

Wednesday, May 23

Wednesday, May 23, 09:15 — 10:15
Session T01   Crash Course in 3D Audio

Wednesday, May 23, 09:30 — 11:00
Session T02   Reusing and Prototyping to Accelerate Innovation in Audio Signal Processing

Wednesday, May 23, 10:15 — 11:15
Session T03   Perceptually Motivated Filter Design with Applications to Loudspeaker-Room Equalization

Wednesday, May 23, 11:15 — 12:15
Session T04   Build a Synth for Android

Wednesday, May 23, 14:15 — 16:15
Session T05   Tune Your Studio-Acoustic Analysis of Small Rooms for Music

Wednesday, May 23, 15:00 — 16:30
Session T06   Psychoacoustics of 3D Sound Recording (with 9.1 Demos)

Wednesday, May 23, 16:30 — 18:00
Session T07   Benefiting from New Loudspeaker Standards

Wednesday, May 23, 16:30 — 18:00
Session T08   Modern Sampling: It’s Not About the Sampling; It’s About the Reconstruction!

Wednesday, May 23, 16:30 — 17:30
Session T09   AES67 & ST2110 - An Overview

 

Thursday, May 24

Thursday, May 24, 09:30 — 10:30
Session T10   From Seeing to Hearing: Sound Design and Spatialization for Visually Impaired Film Audiences

Thursday, May 24, 10:30 — 12:00
Session T11   Total Timbre: Tools and Techniques for Tweaking and Transforming Tone

Thursday, May 24, 10:45 — 12:15
Session T12   Acoustic Enhancement Systems

Thursday, May 24, 10:45 — 12:15
Session T13   Perceptual and Physical Evaluation of Guitar Loudspeakers

Thursday, May 24, 12:30 — 13:15
Session T14   Music Is the Universal Language

Thursday, May 24, 14:00 — 15:30
Session T15   Listening Tests - Understanding the Basic Concepts

Thursday, May 24, 16:45 — 17:45
Session T16   Audio Localization Method for VR Application

Thursday, May 24, 17:00 — 18:00
Session T17   Use of Delay-Free IIR Filters in Musical Sound Synthesis and Audio Effects Processing

 

Friday, May 25

Friday, May 25, 10:30 — 12:00
Session T18   The Sound Will Take a Lead in VR

Friday, May 25, 12:45 — 13:45
Session T19   Supporting the Story with Sound—Audio for Film and Animation

Friday, May 25, 13:30 — 15:00
Session T20   Before the Studio: The Art of Preproduction

Friday, May 25, 14:00 — 15:00
Session T21   Kraftwerk and Booka Shade-The Challenge to Create Electro Pop Music in Immersive / 3D Audio

Friday, May 25, 14:00 — 15:00
Session T22   A Practical Use of Spatial Audio for Storytelling, and Different Delivery Platforms

Friday, May 25, 14:30 — 16:00
Session T23   Optimizing Transducer Design for Systems with Adaptive Nonlinear Control

Friday, May 25, 15:15 — 16:15
Session T24   360 & VR - Create OZO Audio and Head Locked Spatial Music in Common DAWs

Friday, May 25, 16:15 — 17:45
Session T25   Live Sound Subwoofer System Optimization

 

Saturday, May 26

Saturday, May 26, 09:00 — 10:30
Session T26   Product Management for the Audio World

Saturday, May 26, 09:15 — 10:15
Session T27   Hearing the Past: Using Acoustic Measurement Techniques and Computer Models to Study Heritage Sites

Saturday, May 26, 10:30 — 12:00
Session T28   Intelligent Acoustic Interfaces for High-Definition 3D Audio

Saturday, May 26, 12:30 — 13:15
Session T29   Icosahedral Loudspeaker Listening Session (IKO)

Saturday, May 26, 13:30 — 14:15
Session T30   Surround with Depth Listening Session on IEM Loudspeaker Cubes

 

Last Updated: 20180419


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