AES New York 2013
Broadcast & Streaming Media Track Events

The renowned AES Broadcast/Streaming Media Track is in its third decade as the industry's best forum for the latest advances in radio, TV, and Internet streaming with top experts in the field.

This page is also available in calendar format.

Wednesday, October 16

Wednesday, October 16, 5:00 pm — 7:00 pm
Workshop Session W21   Lies, Damn Lies, and Audio Gear Specs

 

Thursday, October 17

Thursday, October 17, 9:00 am — 11:00 am
Live Sound Seminar Session LS1   AC Power and Grounding

Thursday, October 17, 9:00 am — 10:30 am
Workshop Session W1   Applications of 3D Audio in Automotive

Thursday, October 17, 9:00 am — 10:30 am
Product Design Session PD1   Best Practices in Audio Software Development

Thursday, October 17, 9:00 am — 10:30 am
Tutorial Session T1   FXpertise: Compression

Thursday, October 17, 9:00 am — 10:30 am
Broadcast and Streaming Media Session B1   Television Loudness and Metadata

Thursday, October 17, 10:30 am — 12:00 pm
Broadcast and Streaming Media Session B2   Audio for 4K TV

Thursday, October 17, 10:30 am — 12:30 pm
Workshop Session W3   Acoustic Enhancements Systems—Implementations

Thursday, October 17, 11:00 am — 1:00 pm
Workshop Session W4   Microphone Specifications—Believe it or Not

Thursday, October 17, 2:15 pm — 3:45 pm
Broadcast and Streaming Media Session B3   Listener Fatigue and Retention

Thursday, October 17, 2:30 pm — 4:30 pm
Live Sound Seminar Session LS2   Audio Network and Transport

Thursday, October 17, 3:45 pm — 5:15 pm
Broadcast and Streaming Media Session B4   Loudness Control for Radio and Internet Streaming

Thursday, October 17, 4:30 pm — 6:00 pm
Network Audio Session N1   One Network to Rule Them All

Thursday, October 17, 5:30 pm — 7:00 pm
Broadcast and Streaming Media Session B5   Is it Time to Retire the MP3 Protocol for Streaming

Thursday, October 17, 6:00 pm — 7:00 pm
Network Audio Session N2   A Primer on Fundamental Concepts of Media Networking

 

Friday, October 18

Friday, October 18, 9:00 am — 10:30 am
Broadcast and Streaming Media Session B6   Audio for Mobile TV

Friday, October 18, 9:00 am — 10:30 am
Tutorial Session T6   FXpertise: Equalization

Friday, October 18, 9:00 am — 12:00 pm
Paper Session P8   Recording and Production

P8-1   Music Consumption Behavior of Generation Y and the Reinvention of the Recording Industry (Paper: 8956)

P8-3   Maximum Averaged and Peak Levels of Vocal Sound Pressure (Paper: 8958)

P8-4   Listener Adaptation in the Control Room: The Effect of Varying Acoustics on Listener Familiarization (Paper: 8959)

P8-5   Spectral Characteristics of Popular Commercial Recordings 1950-2010 (Paper: 8960)


Friday, October 18, 9:00 am — 11:30 am
Paper Session P9   Applications in Audio—Part I

P9-1   Audio Device Representation, Control, and Monitoring Using SNMP (Paper: 8962)

P9-2   IP Audio in the Real-World; Pitfalls and Practical Solutions Encountered and Implemented when Rolling Out the Redundant Streaming Approach to IP Audio (Paper: 8963)

P9-3   Implementation of AES-64 Connection Management for Ethernet Audio/Video Bridging Devices (Paper: 8964)

P9-4   Simultaneous Acquisition of a Massive Number of Audio Channels through Optical Means (Paper: 8965)


Friday, October 18, 9:00 am — 10:30 am
Workshop Session W10   National Recording Preservation Plan: Best Practices for Creating and Preserving Born-Digital Audio Files

Friday, October 18, 10:30 am — 12:30 pm
Workshop Session W11   Audio Source Separation

Friday, October 18, 10:30 am — 12:00 pm
Workshop Session W12   FX Design Panel: Equalization

Friday, October 18, 11:30 am — 1:00 pm
Sound for Picture Session SP1   Creative Dimension of Immersive Sound—Sound in 3D

Friday, October 18, 12:30 pm — 2:00 pm
Broadcast and Streaming Media Session B7   Broadcasting During a Disaster

Friday, October 18, 1:00 pm — 2:00 pm
Project Studio Expo: Mixing Secrets: Production Tricks to Use with any DAW

Friday, October 18, 2:15 pm — 4:45 pm
Paper Session P11   Perception—Part 1

P11-4   Evaluation of Loudness Meters Using Parameterization of Fader Movements (Paper: 8973)


Friday, October 18, 2:30 pm — 4:00 pm
Sound for Picture Session SP2   Cinema Sound Standards Collapse Leaving Turmoil—An Overview of the State of the Art

Friday, October 18, 2:30 pm — 3:30 pm
Network Audio Session N3   The Role of Standards in Audio Networking

Friday, October 18, 2:30 pm — 4:30 pm
Live Sound Seminar Session LS6   Wireless Microphones and Performers: Mic Placement and Handling for Multiple Actors

Friday, October 18, 3:00 pm — 4:30 pm
Poster Session P12   Signal Processing

P12-8   Improvement in Parametric High-Band Audio Coding by Controlling Temporal Envelope with Phase Parameter (Paper: 8982)


Friday, October 18, 3:30 pm — 5:00 pm
Network Audio Session N4   Command and Control Protocols, Target Application Use Cases

Friday, October 18, 3:45 pm — 5:15 pm
Broadcast and Streaming Media Session B8   Content Delivery and the Mobile Initiative

Friday, October 18, 5:30 pm — 7:00 pm
Product Design Session PD2   High-Order Harmonic Distortion Measurement of Amplifiers and its Impact on Fidelity

Friday, October 18, 5:30 pm — 7:00 pm
Broadcast and Streaming Media Session B9   Modern Audio Transportation Techniques for Remote Broadcasts

 

Saturday, October 19

Saturday, October 19, 9:00 am — 10:30 am
Sound for Picture Session SP3   Dialog Editing and Mixing for Film (Sound for Pictures Master Class)

Saturday, October 19, 9:00 am — 11:00 am
Product Design Session PD3   Telephony: An Introduction to the Acoustics of Personal Telecommunications Devices

Saturday, October 19, 9:00 am — 11:00 am
Live Sound Seminar Session LS8   Design Meets Reality: The A2’s and Production Sound Mixer’s Challenges, Obstacles, and Responsibilities for Loading in and Implementing the Sound Designer’s Concept

Saturday, October 19, 9:00 am — 10:30 am
Tutorial Session T12   FXpertise: Distortion

Saturday, October 19, 9:00 am — 11:30 am
Paper Session P13   Applications in Audio—Part 2

P13-1   Level-Normalization of Feature Films Using Loudness vs Speech (Paper: 8983)

P13-2   Sound Identification from MPEG-Encoded Audio Files (Paper: 8984)


Saturday, October 19, 9:30 am — 11:00 am
Broadcast and Streaming Media Session B10   Technology and Storytelling: How Can We Best Use the Tools Available to Tell Our Stories?

Saturday, October 19, 10:30 am — 12:00 pm
Sound for Picture Session SP4   Music Production for Film (Sound for Pictures Master Class)

Saturday, October 19, 10:30 am — 12:00 pm
Workshop Session W16   FX Design Panel: Distortion

Saturday, October 19, 11:00 am — 12:30 pm
Product Design Session PD4   Loudspeaker Nonlinear Identification

Saturday, October 19, 12:00 pm — 1:00 pm
Project Studio Expo: It Won't Sound Right If You Don't Hear It Right: Studio Acoustics, Monitoring & Critical Listening

Saturday, October 19, 1:00 pm — 2:00 pm
Project Studio Expo: Take Your Studio On Stage: Live Performance with Laptops, Looping Pedals & Other Studio Tech

Saturday, October 19, 1:30 pm — 3:00 pm
Broadcast and Streaming Media Session B11   Maintenance, Repair, and Troubleshooting

Saturday, October 19, 2:00 pm — 3:30 pm
Sound for Picture Session SP5   Sound Design for Film (Sound for Pictures Master Class)

Saturday, October 19, 2:30 pm — 4:30 pm
Live Sound Seminar Session LS10   Production Wireless Systems: An Examination of Antennas, Coax, Filters, and Other Tips and Tricks from the Experts

Saturday, October 19, 3:00 pm — 4:00 pm
Project Studio Expo: Loudness, Levels, and Metering

Saturday, October 19, 3:00 pm — 4:30 pm
Poster Session P15   Applications in Audio—Part I

P15-2   Evaluation of the SMPTE X-Curve Based on a Survey of Re-Recording Mixers (Paper: 8996)

P15-3   An Objective Comparison of Stereo Recording Techniques through the Use of Subjective Listener Preference Ratings (Paper: 8997)

P15-4   Tampering Detection of Digital Recordings Using Electric Network Frequency and Phase Angle (Paper: 8998)


Saturday, October 19, 3:00 pm — 5:00 pm
Workshop Session W19   "Help! I Have a Tape Recorder!"—Restoration and Rebuilding Analog Tape Machines

Saturday, October 19, 3:15 pm — 4:45 pm
Product Design Session PD5   The Power of the Brand

Saturday, October 19, 3:15 pm — 4:45 pm
Broadcast and Streaming Media Session B12   HTML5 and Streaming

Saturday, October 19, 3:30 pm — 5:00 pm
Sound for Picture Session SP6   World-Class Cinema Sound Mixers Discuss Their Craft

Saturday, October 19, 4:30 pm — 7:00 pm
Live Sound Seminar Session LS11   TVBDs, Geo-Location Databases, and Upcoming Spectrum Auctions: An In-Depth Look and Their Impact on Wireless Microphone Operations

Saturday, October 19, 5:00 pm — 6:30 pm
Broadcast and Streaming Media Session B13   Facility Design

Saturday, October 19, 5:00 pm — 7:00 pm
Workshop Session W22   Loudness Wars: Leave Those Peaks Alone

 

Sunday, October 20

Sunday, October 20, 9:00 am — 12:00 pm
Paper Session P16   Spatial Audio—Part 2

P16-4   A Perceptual Evaluation of Recording, Rendering, and Reproduction Techniques for Multichannel Spatial Audio (Paper: 9004)


Sunday, October 20, 9:00 am — 10:30 am
Tutorial Session T17   FXpertise: Reverb

Sunday, October 20, 10:30 am — 12:30 pm
Sound for Picture Session SP7   Sound for "A Deadliest Catch"—Reality Is Hard Work

Sunday, October 20, 10:30 am — 12:00 pm
Workshop Session W26   FX Design Panel: Reverb

Sunday, October 20, 11:00 am — 12:30 pm
Network Audio Session N5   X192 / AES67: How the New Networked Audio Interoperability Standard Was Designed

Sunday, October 20, 1:00 pm — 2:15 pm
Systems Sound Symposium Session SS3   AV/IT Convergence—The Practicalities of Networked Audio in Permanent Installations

Sunday, October 20, 2:30 pm — 4:30 pm
Product Design Session PD7   Is Your Equipment Design a Noise Problem Waiting to Happen?

 

Last Updated: 20140106


View All Sessions At Once

EXHIBITION HOURS October 18th 10am – 6pm October 19th 10am – 6pm October 20th 10am – 4pm
REGISTRATION DESK October 16th 3pm – 7pm October 17th 8am – 6pm October 18th 8am – 6pm October 19th 8am – 6pm October 20th 8am – 4pm
TECHNICAL PROGRAM October 17th 9am – 7pm October 18th 9am – 7pm October 19th 9am – 7pm October 20th 9am – 6pm
AES - Audio Engineering Society