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WORKSHOP SESSIONS
W12:SHOULD NETWORKS HANDLE AUDIO?
Tuesday, 22 February, 09:00 h � 11:30 h
As digital audio techniques become dominant, computers
become faster and network bandwidths increase, traditional
methods of moving audio from place to place must be
re-assessed. Why would you continue to use tape? This
workshop explores the future of moving audio between
professional production processes and will look at some
alternatives.
W13:
SPEECH INTELLIGIBILITY THROUGH PUBLIC
ADDRESS AND TELECONFERENCING SYSTEMS
Tuesday 22 February, 09:00 h � 11:30 h
This workshop will focus on the influence of loudspeaker and
room acoustic characteristics on the perceived intelligibility of
voice. Aspects such as loudspeaker directivity, frequency
response and distortion will be discussed, together with the
effects of S/N and D/R ratios and echo perception. Methods
of measurement and prediction will also be presented after an
illustrated introductory talk presenting current knowledge. The
discussion should be helpful to loudspeaker manufacturers,
and to PA and sound reinforcement system designers.
W14:RADIO@INTERNET:
A PROGRESS WITH SEVEN-LEAGUE BOOTS?
Tuesday, 22 February, 14:00 h � 16:30 h
The Internet's impact on broadcasters has changed from its
initial position as a site for posting broadcasting information to
its emergence as a valuable additional medium to reach new
customers through streaming audio and new interactive
concepts using push and pull technologies. Audio, which is
still using only a small part of the capacity of the Internet, has
become a window to the World Wide Web � audio
information delivered via IP, downloading or online streaming.
Several software companies are developing the necessary
tools to distribute audio and video on the Internet with the
goal to develop the Web into a new mass medium, compared
to traditional audio or video broadcasting.
W15: USE OF CAD TOOLS IN ROOM ACOUSTICS AND
SOUND REINFORCEMENT SYSTEM DESIGN
Tuesday, 22 February, 14:00 h � 16:30 h
A lot of effort has gone into developing CAD tools for the
acoustic design of auditoria and sound reinforcement systems.
Several powerful systems are now on the market (some with
auralization), and results issued from these software programs
can often be seen on technical reports. This workshop will
address the following questions: What are these tools actually
used for by acoustic consultants and other professionals?
What are their true technical capabilities and limitations? How
do they combine with other design methods? What is their
commercial interest for convincing clients?
How could they be improved? Participants will include
acoustic consultants, sound system engineers, and
researchers.
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