W-2 MDM Care And Feeding
Friday, September 26, 9:00 am
Chairman: Steve Dwork, dBm Pro/Audio Music Services
Panelists: Jim Finch, TASCAM Factory Service; John Frondelli and Brian Holling, dBm Pro/Audio Music Services; Michael Ryan, JR Pro Sales Dist. - BASF Magnetic Products; John Sarapro, Alesis Studio Electronics
The primary purpose of this workshop is to stress the single most important method of maintenance-cleanliness. There is no more effective or cost-efficient way of keeping any moving mechanical recording device in proper working order than timely cleaning based on operating hours and/or specific time periods. Maintenance specialists will both discuss and demonstrate proper methods for the appropriate machines.
W-3 The Audio Implications Of DVD
Friday, September 26, 2:00 pm
Chairman: David H. Kawakami, Sony Electronics
Panelists: Bob Harley, Fi Magazine; Bob Ludwig, Gateway Mastering Studios; George Massenburg, George Massenburg Labs; Jordan Rost, Warner Music Group; Bob Stuart, Chairman, Acoustics Renaissance for Audio, Meridian Audio
Before the standards were set for video and data application of DVD, the music industry was engaged in intense discussions on what the music applications for DVD should be. This workshop features a panel of experts who will shape this new format. Topics include the marketing challenges that this new audio format will present, standardization process, and what high-end audio consumers will be looking for in the next-generation high-density audio carrier.
W-4 Tales From The Truck
Friday, September 26, 2:00 pm
Chairman: Hamilton Brosious, HBA Associates
Panelists: Randy Ezratty, Effanel Recording; David Hewitt, Remote Recording Services; Kooster McAllister, Record Plant Remote; John Storyk, Walters-Storyk Design Group
The goal of this workshop is to inform attendees of the minimum requirements for producing professional-quality audio recordings in the field, away from the support of facilities. A basic knowledge of audio engineering practices is presumed. The application of basic topics such as equipment, wiring, grounding, recording setup, and acoustics to remote recording projects are considered. Special emphasis is placed on portable systems that utilize standard equipment and do not require a special vehicle. Panelists will draw from their experiences on remote recording projects, will briefly discuss memorable projects that they have recorded, and will describe their current remote vehicles. The panelists will also design, develop, and outfit a hypothetical remote location recording facility. Considerations for the project include a low budget and future utilization of equipment chosen for other recording applications.
