Synchronized Swept-Sine: Theory, Application, and Implementation - October 2015
Effect of Microphone Number and Positioning on the Average of Frequency Responses in Cinema Calibration - October 2015
The Measurement and Calibration of Sound Reproducing Systems - July 2015
Audio Coding Based on Subjective Differences
Successive frames of audio signals often have similar spectral properties. A technique is proposed which allows coding rate reduction in such intervals by utilizing their differences from specific reference frames. Then, for stationary signal sections, the subjective differences between each frame and the reference one are coded, and unused bits are saved to be allocated for coding intervals of more transient nature.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.