Clean Audio for TV broadcast: An Object-Based Approach for Hearing-Impaired Viewers - April 2015
Audibility of a CD-Standard A/DA/A Loop Inserted into High-Resolution Audio Playback - September 2007
Sound Board: Food for Thought, Aesthetics in Orchestra Recording - April 2015
Investigation of Interactions between Recording/Mixing Parameters and Spatial Subjective Attributes in the Frame of 5.1 Multichannel
Subjective listening tests dedicated to 5.1 multichannel were conducted using various recording and mixing configurations. Two ambience microphone arrays ('Hamasaki squares'), differing in size, were used to record the hall reverberation, in addition to direct sound microphones, providing a separation between direct and reverberant sound. Differences between the reverberation recording systems, in order to study its optimization regarding size, were evaluated using a set of spatial subjective attributes. Post-processing parameters (time delay between direct sound and reverberation, front/back distribution of reverberation) were investigated along similar attributes. Results underlined significant differences between the two 'Hamasaki square' systems. The time delay parameter showed low influence on listener envelopment and apparent source width, whereas front/back distribution of reverberation showed a significant effect on these attributes.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.