Traditionally, there are typically four main areas in which signal processing plays a part in a typical sound reinforcement or PA system. These are : (1) Input signal processing eg pre-amplification and Equalisation (2) Routing and control (including insert of effects processing) (3) System response tuning, including equalisation and signal delay (4) Loudspeaker Processing, eg crossovers, response equalisation / alignment and overload drive protection. Only a few years a go, each of the above processes employed a dedicated processor, however, current DSP capabilities will reduce the box count considerably and indeed it is possible to contain all the above, and even include the mixer all in one powerful DSP unit. As it is anticipated that other papers at this conference will be addressing vocal processing and use of signal processing in studios etc, this paper is more directed towards overall system response tuning and processing. However, processing related to intelligibility enhancement is also addressed. Although the paper primarily discusses permanent Sound Reinforcement and Public Address installations, many of the issues also directly relate to temporary sound systems and concert sound systems. Figure 1 summarises typical signal chain processing that may be employed in current Sound Reinforcement systems.
Click to purchase paper as a non-member or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $33 for non-members and is free for AES members and E-Library subscribers.