Clean Audio for TV broadcast: An Object-Based Approach for Hearing-Impaired Viewers - April 2015
Audibility of a CD-Standard A/DA/A Loop Inserted into High-Resolution Audio Playback - September 2007
Sound Board: Food for Thought, Aesthetics in Orchestra Recording - April 2015
Design Consideration of Digital Cross-Fade in Multi-Channel Recorders
Conventional analog editing is normally accomplished by cutting and splicing. This angled splice provides the desirable characteristic of a smooth transition between the old and new signal. With the coming of age of multichannel digital tape recorders, editing must be accomplished via a dubbing process. Such recorders provide this smooth transition totally in the digital domain by synchronously re-recording and fading out the old signal while the new signal is faded in. Implementation of the cross-fade utilizes a write-after-read head, digital multipliers, adders, and control electronics.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.