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Conventional analog editing is normally accomplished by cutting and splicing. This angled splice provides the desirable characteristic of a smooth transition between the old and new signal. With the coming of age of multichannel digital tape recorders, editing must be accomplished via a dubbing process. Such recorders provide this smooth transition totally in the digital domain by synchronously re-recording and fading out the old signal while the new signal is faded in. Implementation of the cross-fade utilizes a write-after-read head, digital multipliers, adders, and control electronics.
Author (s): Molstad, Richard W.;
Affiliation:
3M Company, St. Paul, MN
(See document for exact affiliation information.)
AES Convention: 69
Paper Number:1770
Publication Date:
1981-05-06
DOI:
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Molstad, Richard W.; 1981; Design Consideration of Digital Cross-Fade in Multi-Channel Recorders [PDF]; 3M Company, St. Paul, MN; Paper 1770; Available from: https://aes.org/publications/elibrary-page/?id=11983
Molstad, Richard W.; Design Consideration of Digital Cross-Fade in Multi-Channel Recorders [PDF]; 3M Company, St. Paul, MN; Paper 1770; 1981 Available: https://aes.org/publications/elibrary-page/?id=11983
@inproceedings{Molstad1981design,
title={{Design Consideration of Digital Cross-Fade in Multi-Channel Recorders}},
author={Molstad, Richard W.},
year={1981},
month={may},
booktitle={Journal of the Audio Engineering Society},
publisher={Paper 1770; AES Convention 69; May 1981},
number={1770},
organization={AES},
}
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