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An adequate recording format for standardization must ensure reliable operation in practical applications, but also allow digital audio tape recorders to fit harmoniously into existing and future production systems. The conflicting aspects of operational requirements in recording and postproduction, video standards, time code, synchronization, transmission, and compatibility with the AES/EBU interface must be accommodated. Finally, future developments must be anticipated and can be influenced by a clear and open-ended format. This paper gives a survey of the systems aspects of the DASH format and illustrates to what extent it supports the efforts towards an integrated digital audio/video production system.
Author (s): Lagadec, Roger;
Takayama, Jun;
Affiliation:
Willi Studer, Regensdor, Switzerland ; Sony Corporation, Japan
(See document for exact affiliation information.)
AES Convention: 77
Paper Number:2216
Publication Date:
1985-03-06
Session subject:
Digital Audio: The Quest for Standards
DOI:
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Lagadec, Roger; Takayama, Jun; 1985; DASH and the Standardization of Digital Audio [PDF]; Willi Studer, Regensdor, Switzerland ; Sony Corporation, Japan; Paper 2216; Available from: https://aes.org/publications/elibrary-page/?id=11539
Lagadec, Roger; Takayama, Jun; DASH and the Standardization of Digital Audio [PDF]; Willi Studer, Regensdor, Switzerland ; Sony Corporation, Japan; Paper 2216; 1985 Available: https://aes.org/publications/elibrary-page/?id=11539
@inproceedings{Lagadec1985dash,
title={{DASH and the Standardization of Digital Audio}},
author={Lagadec, Roger and Takayama, Jun},
year={1985},
month={mar},
booktitle={Journal of the Audio Engineering Society},
publisher={Paper 2216; AES Convention 77; March 1985},
number={2216},
organization={AES},
}
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