The aesthetics and techniques used in the creation of early analog tape-based electronic music were influenced by music compositional practices from the 1880s through the first half of the 20th century. Examining these earlier acoustic pieces and a their notable compositional techniques has helped provide an aesthetic context for students studying early tape-based electronic music and their analog recording projects at the University of Colorado at Denver.

Author: Rothschild, Sigmund
Affiliation: University of Colorado at Denver, Denver, CO
AES Convention: 112 (April 2002) Paper Number: 5532
Publication Date: April 1, 2002 Import into BibTeX
Subject: Recording, Restoration, and Processing
Permalink: https://www.aes.org/e-lib/browse.cfm?elib=11438

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