AES Milan 2018
Thursday, May 24, 14:30 — 16:00 (Arena 3 & 4)
W15 - Styling Your Live and Recorded Classical, Jazz, and Acoustic Ensemble SoundChair:
Ian Corbett, Kansas City Kansas Community College - Kansas City, KS, USA; off-beat-open-hats recording & sound reinforcement
Margaret Luthar, Chicago Mastering Service - Chicago, IL, USA
Magdalena Piotrowska, Gdansk University of Technology - Poland; Hear Candy Mastering - Poland
Kyle P. Snyder, Ohio University, School of Media Arts & Studies - Athens, OH, USA
Venue, ensemble and performers, musical material, engineer's/producer's vision, equipment available, purpose, and logistics. All of these things influence the choices a live recording or live sound engineer makes when planning and recording or reinforcing a live concert or event. Join our panel of live event recording and sound engineers as they discuss how and why they chose the techniques they used for varied classical, jazz, and other acoustic music situations and play some of the results for you. Material and situations presented will range from entry level non-professional ensemble events to professional productions.