Audio Engineering Society Preprints

AES 105th Convention
Moscone Center
San Francisco, California, USA
September 26-29, 1998

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Single Convention Preprints are available through the AES Preprint Search and Shop facility.

Preprints Listing

4760
Kevin P. Gross and Tom Holtzen
Controlling and Monitoring Audio Systems with Simple Network Management Protocol (SNMP)

4761
Bob Moses
Implementing Digital Audio Devices for the IEEE 1394 High Performance Serial Bus

4762
Hirotaka Kuribayashi, Yasushi Ohtani, and Jun-ichi Fujimori
A Supplement to Audio and Music Data Transmission Protocol Over IEEE 1394: SMPTE Time Code Transmission

4763
Timothy B. Thompson
Building an Audio Wide Area Network

4764
K. Lebart, J. M. Boucher, and P. N. Denbigh
A New Method Based on Spectral Subtraction for the Suppression of Late Reverberation from Speech Signals

4765
M. J. Reed, M. O. J. Hawksford, and M. P. Hollier
Error and Convergence Properties of the Fast Affine Projection and Least Mean Square Echo Cancellation Algorithms

4766
Dan Mapes-Riordan
A Worst-Case Analysis for Analog-Quality (Alias-Free) Digital Dynamics Processing

4767
Wes Lockard and Dale Daley
Optimizing Centralized Digital Audio Distribution through Client/Server Techniques

4768
Dan Hitt and yeeOn Lo
New Facilities for Digital Audio Mixing

4769
Conrad A. Maxwell
Integrating Audio and Communication

4770
Don Dapkus
Class-D Audio Amplifiers for Compact, Portable Equipment

4771
Steven Harris, Gautham Kamath, and Eric Gaalaas
A Monolithic 24-Bit, 96-kHz Sample-Rate Converter with AES3 Receiver and AES3 Transmitter

4772
T. J. Passetti and M. O. J. Hawksford
Dynamic Range Enhancement in Switched-Current Sigma�Delta Modulation Using Current Scaling

4773
J. W. Bruce and Peter Stubberud
Circuit Switching Topologies for Dynamic Element Matching Data Converters

4774
Robert Adams, Khiem Nguyen, and Karl Sweetland
A 112-dB SNR Oversampling DAC with Segmented Noise-Shaped Scrambling

4775
Paul Kohut and Justin Baird
Optimization Using Modified All-Pass Filters for Magnitude Compensation

4776
Ray Miller
A Bessel Filter Crossover and Its Relation to Other Types

4777
R. A. R. van der Zee and A. J. M. van Tuijl
A High-Efficiency Class-D + Class-AB Audio Power Bridge Amplifier

4778
Phil Gray, Rob Massara, and Mike Hollier
Constraint-Based Pitch-Cycle Identification Using a Hybrid Temporal/Spectral Method

4779
Amar Chaudhary
Band-Limited Simulation of Analog Synthesizer Modules by Additive Synthesis

4780
Rafael A. Irizarry
Statistical Analysis of Sound Signals Using a Local Harmonic Model

4781
Scott N. Levine and Julius O. Smith III
A Sines+Transients+Noise Audio Representation for Data Compression and Time/Pitch Scale Modifications

4782
Jean Laroche
Using Resonant Filters for the Synthesis of Time-Varying Sinusoids

4783
Joerg Panzer and Neil Harris
Distributed-Mode Loudspeaker Radiation Simulation

4784
Jon M. Risch
Loudspeaker Crossover Look Back Impedance

4785
J. W. Norris
Nonlinear Dynamical Behavior of a Moving Voice Coil

4786
Siegfried Linkwitz
Investigation of Sound-Quality Differences between Monopolar and Dipolar Woofers in Small Rooms

4787
C. I. Beltran
Calculated Response of a Compression Driver Using a Coupled-Field Finite-Element Analysis

4788
M. O. J. Hawksford
MATLAB Program for Loudspeaker Equalizatioand Crossover Design

4789
Frank Baumgarte
Evaluatioof a Physiological Ear Model Considering Masking Effects Relevant to Audio Coding

4790
M. P. Hollier and A. N. Rimell
An Experimental Investigation into Multi-Modal Synchronisation Sensitivity for Perceptual Model Development

4791
A. N. Rimell, M. P. Hollier, and R. M. Voelcker
The Influence of Cross-Modal InteractiooAudio-Visual Speech Quality Perception

4792
Wesley A. Bulla and James W. Hall III
Daily Noise-Level Exposures of Professional Music Recording Engineers

4793
ColiPreston
An Analysis of Frequency-Dependent Hybrid Microphone Arrays for Stereophonic Sound Recording

4794
Neil Harris, Sheila Flanagan, and Malcolm O. J. Hawksford
Stereophonic LocalizatioiRooms, Comparing Conventional and Distributed-Mode Loudspeakers

4795
J�r�me Daniel, Jean-Bernard Rault, and Jean-Dominique Polack
Ambisonics Encoding of Other Audio Formats for Multiple Listening Conditions

4796
K. C. K. Foo, M. O. J. Hawksford, and M. P. Hollier
Pair-Wise Loudspeaker Paradigms for Multi-Channel Audio Home Theatre and Virtual Reality

4797
Sami Khoury, AdriaFreed, and David Wessel
Volumetric Modeling of Acoustic Fields CNMAT�s Sound SpatializatioTheatre

4798
Ulrich Horbach and Renato Pellegrini
Design of Positional Filters for 3-D Audio Rendering

4799
Asbj�rS�b�
Implementatioof Transaural Systems iSoftware on a PC

4800
Guy Torio
Understanding the Transfer Functions of Directional Condenser Microphones Response to Different Sound Sources

4801
Alfred Schmitz and Heinrich Bietz
Free-Field Diffuse-Field Transformatioof Artificial Heads

4802
JohG. (Jay) McKnight, Benito E. Cortez, and Jeffrey A. McKnight
Tape Flux Measurement Revisited

4803
JoM. Risch
A New Class of In-Band Multitone Test Signals

4804
Steve F. Temme
Virtual Instruments for Audio Testing

4805
Jyri Huopaniemi, Nick Zacharov, and Matti Karjalainen
Objective and Subjective Evaluatioof Head-Related Transfer Function Filter Design

4806
F. Joseph Pompei
An Efficient HRTF Model Based oInterference from Delayed Energy

4807
Victor B. Ganjiaand Douglas Preis
Reproduction of Loudspeaker Listening Room Sound through Headphones: Measured Coherence Analysis, Cross-Spectra, and Digital Filter Impulse Responses

4808
Bernd Edler and Heiko Purnhagen
Concepts for Hybrid Audio Coding Schemes Based oParametric Techniques

4809
Gerald Schuller
Time-Varying Filter Banks with Low Delay for Audio Coding

4810
J�rgeHerre, Eric Allamanche, Karlheinz Brandenburg, MartiDietz, Bodo Teichmann, Bernhard Grill, Akio Jin, Takehiro Moriya, Naoki Iwakami, Takeshi Norimatsu, Mineo Tsushima, and Tomokazu Ishikawa
The Integrated Filterbank-Based Scalable MPEG-4 Audio Coder

4811
Eric D. Scheirer and Lee Ray
Algorithmic and Wavetable Synthesis ithe MPEG-4 Multimedia Standard

4812
Mat Hans and Ronald W. Schafer
AMPEG Audio Layered Transcoder

4813
Ulf W�stenhagen, Bernhard Feiten, and Wolfgang Hoeg
Subjective Listening Test of Multichannel Audio Codecs

4814
StepheH. Lampen
Flat Cable Desigfor Analog and Digital Audio

4815
Pekka Suokuisma, Nick Zacharov,
and S�ren Bech Multichannel Level Alignment, Part I: Signals and Methods

4816
Nick Zacharov, S�reBech, and Pekka Suokuisma
Multichannel Level Alignment, Part II: The Influence of Signals and Loudspeaker Placement

4817
Yuvi Kahana, Philip A. Nelson, M. Petyt, and SunghooChoi
Boundary-Element Simulatioof HRTFs and Sound Fields Produced by Virtual Acoustic Imaging Systems

4818
Doug Mitchell
Toward aAesthetic iMixing for Multichannel Music Presentation

4819
Steve Draper and James A. S. Angus
Control Methods for Sigma�Delta-Based Audio Equalisers

4820
Duane K. Wise
A Survey of Biquad Filter Structures for Applicatioto Digital Parametric Equalization

4821
Javed Absar, Sapna George, Antonio Alvarez, and B. Premkumar
Development of AC-3 Digital Audio Encoder

4822
Johannes Hilpert, Michael Braun, Manfred Lutzky, StefaGeyersberger, and Rainer Buchta
Implementing ISO/MPEG-2 Advanced Audio Coding Realtime on a Fixed-Point DSP

4823
C. Neubauer and J. Herre
Digital Watermarking and Its Influence oAudio Quality

4824
JohGaras and Piet C. W. Sommen
Improving Virtual Sound Source Robustness Using Multiresolution Spectral Analysis and Synthesis

4825
David Reinhardt and Robert C. Maher
A Real-Time DSP Kernel for Concurrent Audio Tasks

4826
Eric Benjamin and Benjamin Gannon
Theoretical and Audible Effects of Jitter oDigital Audio Quality

4827
ChristiaHugonnet
A Test Tape for Audio Control of TelevisioPrograms

4828
Neil Gilchrist
Audio Levels iDigital Broadcasting

4829
George Brock-Nannestad
Authenticity ithe Reconstructioof Historical Disc Recording Sessions

4830
Matsumi Takeuchi, Susumu Shiko, Ryoichi Ohmachi, and Kenzo Sakurada
Computer-Controlled Sound System for the XVIII Olympic Winter Games in Nagano 1998

4831
William Gelow and JohEargle
Cinema Sound ReproductioSystems: Evolving Technical Requirements and Architectural Considerations

4832
E.-J. Voelker
Acoustics iControl Rooms�That Recurring, Burdensome Subject

4833
ColiD. Entwistle, Timothy J. Sargeant, and James A. S. Angus
Wideband Fractal Diffusers Using Orthogonal Modulated Sequences

4834
Vance Breshears
Design Approach for Multi-Channel Sound Reinforcement Systems

4835
GlenLeembruggen, Neil Packer, Bruce Goldburg,
and Donald Backstrom Development of a Shaded, Beam-Steered Line-Array Loudspeaker with Integral Amplificatioand DSP Processing

4836
V. J. Stauskis
Reflections Generated by Different Pulsed Sound Sources and Their Energy

4837
James A. S. Angus
Finite-Field Transforms for Lossless Audio Signal Processing

4838
KarsteNielsen
Linearity and Efficiency Performance of Switching Audio Power Amplifier Output Stages�A Fundamental Analysis

4839
KarsteNielsen
MECC�A Novel Control Method for High-End Switching Audio Power Amplification

4840
JoD. Paul
The Effect of Transformers oTransmissioof Digital Audio Signals

4841
AdriaFreed
Real-Time Inverse Transform Additive Synthesis for Additive and Pitch Synchronous Noise and Sound Spatialization

4842
Sean E. Olive, BriaCastro, and Floyd E. Toole
A New Laboratory for Evaluating Multichannel Audio Components and Systems

4843
David Moultoand Mark Moulton
Codec �Transparency,� Listener �Severity,� Program �Intolerance�: Suggestive Relationships betweeRasch Measures and Some Background Variables

4844
Jeffrey Barish
A Survey of New Sound Technology for PCs

4845
Chris Kyriakakis and Tomlinson Holman
Video-Based Head Tracking for Improvements in Multichannel Loudspeaker Audio

4846
Klaus A. J. Riederer
Repeatability Analysis of Head-Related Transfer Function Measurements

4847
Bernd Thei� and Malcolm O. J. Hawksford
Binaural Model-Based Measurements of Phantom Images

4848
Gottfried K. Behler and Roger Lunatschek
Loudspeaker DesigSoftware Including OptimizatioAlgorithms for Acoustical and Electrical Networks

4849
David Fiori, Jr.
A Transformerless Ground Loop Isolating Preamplifier�Introducing Current Balanced Circuit Technology

4850
Peter Mapp and ChristieEllis
Improvements iAcoustic Feedback MargiiSound Reinforcement Systems

4851
Bernhard Grill and Bodo Teichmann
Scalable Joint Stereo Coding

4852
Itai Neoraand Meir Shashua
A Perceptive Loudness-Sensitive Leveler for Audio Broadcasting and Mastering

4853
F. Joseph Pompei
The Use of Airborne Ultrasonics for Generating Audible Sound Beams

4854
Vicki Melchior
Multiphase Filters for Sample-Rate Conversioof High-ResolutioAudio

4855
Alex Salvatti, Doug Button, and Allan Devantier
Maximizing Performance from Loudspeaker Ports

4856
Peter Buettner, Brett Crockett, and Mike Truman
Testing and Verifying Low Bit-Rate Encoder Implementations

4857
Andrei N. Chesnokov and Leon SooHoo
Influence of Early-to-Late Energy Ratios oSubjective Estimates of Small Room Acoustics

4858
V�ronique Larcher, Jean-Marc Jot, and Guillaume Vandernoot
EqualizatioMethods iBinaural Technology

4859
Eric Benjamin
Signal Characteristics of Matrix and Discrete Multichannel Recordings

4860
David Griesinger
Speaker Placement, Externalization, and Envelopment in Home Listening Rooms

4861
Jean-Marc Jot, Scott Wardle, and V�ronique Larcher
Approaches to Binaural Synthesis

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