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AES 101st Convention
Los Angeles Convention Center Los Angeles, CA, USA 1996 November 8–11 |
Single Convention Preprints are available through the AES Preprint Search and Shop facility.
Preprints Listing #4323
Vance Breshears and Ralph Heinz
An Integrated Three-Way Constant Directivity Loudspeaker Array#4324
Adolf Toegel
Classical Large-Scale Open Air Concert Using an Integrated Concept of Stage Acoustics, Sound Reinforcement, and Virtual Acoustics#4325
W. F. Druyvesteyn and J. Garas
Personal Sound#4326
Michael Smedegaard
Low Input Impedance Current-to-Voltage Conversion Circuit for Current-Output Digital-to-Analog Converters#4327
Michael Smedegaard
A Simple Non-Feedback Switching Power Output Stage#4328
Kazuya Iwata, Masahiko Hatanaka, Katuyoshi Fujii, and Satoshi Kageyama
A High-Efficient Pulse-Density Modulation Audio Power Amplifier#4329
Eric Mendenhall
Computer-Aided Design and Analysis of Class-B and Class-H Power Amplifier Output Stages#4330
John Eargle and William Gelow
Performance of Horn Systems: Low-Frequency Cut-Offs, Pattern Control, and Distortion Trade-Offs#4331
James A. Stratman
Polar Radiation Characteristics of Harmonic Distortion in Loudspeakers#4332
Tom Heed
Quantitative Analysis of Low-Frequency Component Nonlinearities#4333
Tom Heed
Minimizing the Amplitudes of Transverse Modal Waves in Diaphragms#4334
Hans Schurer, Cornelis H. Slump, and Otto E. Herrmann
Exact Input–Output Linearization of an Electrodynamical Loudspeaker#4335
Drew Daniels
What's Really New in Loudspeakers?#4336
Marianna Sankiewicz and Gustaw Budzynski
Peculiarities in Swinging Bell Sounds#4337
Bozena Kostek and Marek Szczerba
Parametric Representation of Musical Phrases#4338
Andrzej Czyzewski and Rafal Królikowski
Simultaneous Noise Reduction and Data Compression in Old Audio Recordings#4339
Seymour Shlien and Gilbert Soulodre
Measuring the Characteristics of “Expert” Listeners#4340
Daniel C. Mikat
Subjective Evaluations of Automotive Audio Systems#4341
A. Czyzewski, H. Skarzynski, J. Szuchnik, B. Kostek, and A. Lorens
Simulating the Perception of Audio by Hearing-Impaired People#4342
Maribeth Back
Beyond Bandwidth: Sound Design in Interactive Systems for Multimedia and the Net#4343
Bruce N. Walker and Gregory Kramer
Human Factors and the Acoustic Ecology: Considerations for Multimedia Audio Design#4344
James A. Ballas
Designing Sound for an Interactive Experience#4345
Laurent Mainard, Corentin Creignou, Michel Lever, and Yves-Francois Dehery
A Real-Time PC-Based High-Quality MPEG Layer II Codec#4346
Jun-ichi Fujimori and Yoshio Osakabe
Digital Audio and Performance Data Transmission Protocol Over IEEE 1394#4347
Jun-ichi Fujimori and Tatsutoshi Abe
Distributed Connection Management for Electronic Musical Environment Using IEEE 1394#4348
Eric Lukac-Kuruc
Beyond MIDI: XMidi, An Affordable Solution#4349
James Grunke
Audio Content Delivery Over Narrow-Band Internet Connection#4350
Franco Grossi
The Multimedia Network for the Italian Basket League#4351
Richard John Foss
Stars to Buses to Stars—The Evolution of Remote Studio Access Topologies#4352
Durand R. Begault
Virtual Acoustics, Aeronautics, and Communications#4353
Elizabeth M. Wenzel
What Perception Implies About Implementation of Interactive Virtual Acoustic Environments#4354
Chris Travis
Virtual Reality Perspective on Headphone Audio#4355
Michael Monks, Byong Mo Oh, and Julie Dorsey
Acoustic Simulation and Visualization Using a New Unified Beam Tracing and Image Source Approach#4356
Robert Adams
Unusual Applications of Noise-Shaping Principles#4357
James A. Moorer
Breaking the Sound Barrier: Mastering at 96 kHz and Beyond#4358
A. W. J. L. Oomen, A. A. M. Bruekers, R. J. van der Vleuten, and L. M. van de Kerkhof
Lossless Coding for DVD Audio#4359
Mathieu C. Hans and Vasudev Bhaskaran
A Fast Integer-Based, CPU Scalable, MPEG-I Layer-2 Audio Decoder#4360
R. J. Clark, E. C. Ifeachor, and G. M. Rogers
Real-Time Equalizer Coefficient Realization with Minimized Computational Load and Distortion#4361
Sophocles J. Orfanidis
Digital Parametric Equalizer Design with Prescribed Nyquist-Frequency Gain#4362
Malcolm Omar Hawksford
Multi-Channel High-Definition Digital Audio Systems for High-Density Compact Disk#4363
Kent Terry and John Seaver
A Real-Time, Multichannel Dolby AC-3 Audio Encoder Implementation#4364
Michael T. Miles
An Optimum Linear-Matrix Stereo Imaging System#4365
Mark Poletti
An Assisted Reverberation System for Controlling Apparent Room Absorption and Volume#4366
Manabu Okamoto, Shigeaki Aoki, and Ikuo Namiki
Sound System for Telecommunication with a Large Screen Display#4367
Andrew W. Krone, Moises E. Robinson, Eric J. King, Eric Gaalaas, Jason Rhode, and Ed Schneider
An Integrated Audio Conversion System for Automotive and Home Theater Systems#4368
Rick Santiago and Dan Mapes-Riordan
Integration of Automatic Microphone Selection with Acoustic Echo Cancellation#4369
Peter Eastty
An Inaudible Buried Data Channel in Digital Audio: A Development Using Advanced Software Tools#4370
Duane K. Wise, Jeff Barrish, and Eric Lindemann
DSP Strategies for Faster Polynomial Interpolation#4371
Robert C. Maher, Eric Lindemann, and Jeffrey Barrish
Old and New Techniques for Artificial Stereophonic Image Enhancement#4372
Bill Whitlock
A New Balanced Audio Input Circuit for Maximum Common-Mode Rejection in Real-World Environments#4373
Michael Bank, Arie Taicher, and Yakov Karabelnik
An Objective Method for Sound Quality Estimation of Compression Systems#4374
Xavier Durot and Jean-Bernard Rault
A New Noise Injection Model for Audio Compression Algorithms#4375
Michael Bank
On the Algorithm of Audio Information Processing in the Human Auditory System and Compression Systems#4376
Bernd Edler
Current Status of the MPEG-4 Audio Verification Model Development#4377
Naoki Iwakami and Takehiro Moriya
Transform-Domain Weighted Interleave Vector Quantization (TwinVQ)#4378
John Vanderkooy and Scott Norcross
Multitone Testing of Audio Systems#4379
Drew Daniels
The Futility of Quantifying Subjective Audio Measurements#4380
Werner Freitag and Peter George
Differentiating between Sound Isolation and Sound Treatment#4381
John R. Bareham
Measurement of Spatial Characteristics of Sound Reproduced in Listening Spaces#4382
Marina Bosi, K. Brandenburg, S. Quackenbush, Louis Fielder, K. Akagiri, and H. Fuchs
ISO/IEC MPEG-2 Advanced Audio Coding#4383
James D. Johnston, Jürgen Herre, Mark Davis and Uwe Gbur
MPEG-2 NBC Audio—Stereo and Multichannel Coding Methods#4384
Jürgen Herre and James D. Johnston
Enhancing the Performance of Perceptual Audio Coders by Using Temporal Noise Shaping (TNS)#4385
Rainer Buchta, Stefan Melzer, and Oliver Kunz
The WorldStar™ Sound Format#4386
Uwe Gbur, Markus Werner, and Martin Dietz
Realtime Implementation of an ISO/MPEG Layer 3 Encoder on Pentium PCs#4387
Warner R. Th. ten Kate
Maintaining Audio Quality in Cascaded Psychoacoustic Coding#4388
Peter Shelswell
Digital Audio Broadcasting in Operation#4389
Andrew Horner
Wavetable Matching Synthesis of Dynamic Instruments#4390
Mark Kahrs and Robert B. Sussman
Analysis of Musical Instrument Sounds Using Discrete Energy Separation Algorithms#4391
John Hajda
A New Model for Segmenting the Envelope of Musical Signals: The Relative Salience of Steady State versus Attack, Revisited#4392
Michael W. Pflaumer and Keith O. Johnson
Compatible Resolution Enhancement in Digital Audio Systems#4393
Ayataka Nishio, Makoto Akune, Gen Ichimura, Yasuhiro Ogura, and Yuji Tsuchida
A New CD Mastering Processing Using Direct Stream Digital#4394
John W. East and P. A. Frindle
The Ergonomic Challenge of Dynamically Automating All Controls on a Digital Audio Mixer without Clutter#4395
Juha Backman
Effect of Panel Damping on Loudspeaker Enclosure Vibration#4396
Thomas Sporer
Evaluating Small Impairments with the Mean Opinion Scale—Reliable or Just a Guess?#4397
Eoin McCoy and Dermot Furlong
Issues for Consideration in the Development of an Acoustical Design System Supporting Interactive Auralisation#4398
Derek O'Gorman and Dermot Furlong
Guitar Top-Plate Modelling Using Finite Element Method Techniques#4398
Ian Dennis, Julian Dunn, and Doug Carson
An Investigation of the Sonic Differences Between Numerically Identical Compact Discs#4400
Robert Bristow-Johnson
Wavetable Synthesis 101, A Fundamental Perspective#4401
David Griesinger
Spaciousness and Envelopment in Muscial Acoustics#4402
David Griesinger
Multichannel Matrix Surround Decoders for Two-Eared Listeners#4403
David Griesinger
Beyond MLS—Occupied Hall Measurement with FFT Techniques
