AES Amsterdam 2008 - Industry Category: Recording Industry

RECORDING INDUSTRY

Sound Recording, Processing, Distribution, and Sound for Film/Video and Games

PAPER SESSIONS

P1 LOUDSPEAKERS—1

P2 AUDIO NETWORKING

P3 SPATIAL AUDIO PERCEPTION AND PROCESSING—1

P4 LOW BIT-RATE AUDIO CODING

P5 MICROPHONES AND LOUDSPEAKERS

P7 LOUDSPEAKERS—2

P8 WAVE FIELD SYNTHESIS

P9 SPATIAL AUDIO PERCEPTION AND PROCESSING

P10 SPATIAL AUDIO PERCEPTION AND PROCESSING—2

P12 AUDIO ARCHIVING, STORAGE, RESTORATION, AND CONTENT MANAGEMENT + AUDIO NETWORKING

P13 SIGNAL PROCESSING, SOUND QUALITY DESIGN

P15 SIGNAL PROCESSING, SOUND QUALITY DESIGN

P21 MULTICHANNEL SOUND

P22 AUDIO ARCHIVING, STORAGE, RESTORATION, AND CONTENT MANAGEMENT

P24 ROOM AND ARCHITECTURAL ACOUSTICS AND SOUND REINFORCEMENT

P25 MULTICHANNEL SOUND

P26 LOW BIT-RATE CODING

WORKSHOPS

W1 PRODUCTION OF SURROUND SOUND WITH HDTV

W2 USE OF RF 64: A FILE FORMAT FOR SURROUND SOUND

W3 RECORDING STUDIO DESIGN

W4 MULTISENSORY INTERACTION: DOES INTERACTION IMPROVE PRESENCE?

W6 TRENDS OF STORAGE TECHNOLOGIES FOR AUDIO RECORDING AND MASTERING

W7 LOUDNESS – A CHANGE OF PARADIGMS?

W11 CREATING A MUSIC DOWNLOAD WEBSITE

W17 AUDIO NETWORKING FOR THE PROS

W18 AUDIO OVER IP SYSTEMS FOR REPORTERS

W19 BRINGING DYNAMICS BACK INTO THE MIX

W20 WOW, THIS SOUNDS GREAT!

W23 MUSICAL TELEPRESENCE WITH NARROW BAND NETWORKS

W24 FINDING AND EVALUATING MUSIC FOR DOWNLOADING OR STREAMING

W26 MIX YOUR OWN NEW YEAR’S CONCERT—PART 1

W27 MIX YOUR OWN NEW YEAR’S CONCERT—PART 2

TUTORIALS

T2 DIGITAL AUDIO SIGNALS, FILTERS, AND EQUALIZERS

T3 ABSORBERS AND DIFFUSERS

T6 YESTERDAY'S FX TODAY

T8 CURRENT STANDARDS OF FILE-INTERCHANGE FORMATS

T9 ROOM ACOUSTICS MODELING

T11 THE GAME AUDIO PROCESS

T14 SMALL ROOM ACOUSTICS

T15 SOUND ARCHIVING: STANDARDS RELATED TO THE LONG-TERM PRESERVATION OF A SOUND RECORDING

T16 QUANTIZATION EFFECTS IN AUDIO SIGNAL PROCESSING

T17 MUSIC INDUCED HEARING DISORDERS

T18 WHAT IS THE MATRIX?

T19 LARGE ROOM ACOUSTICS

MASTER CLASSES

M2 CONCEPTS IN SOUND QUALITY

LIVE SOUND SEMINARS

L1 DEMYSTIFYING AUDIO

L3 MIXING CONSOLES

L4 CABLES AND CONNECTORS

L5 LIVE MIXING WORKSHOP

HISTORICAL EVENTS

SHANNON, BEETHOVEN, AND THE COMPACT DISC

M3 RECORDING TECHNIQUE

100 YEAR OF THE TRIODE

COMPACT CASSETTE

VINTAGE LOUDSPEAKERS

RECORDING HISTORY

HISTORICAL COMMITTEE MEETING

HISTORICAL CAFE

TECHNICAL TOURS

TT1 POLYHYMNIA

TT2 RECORD INDUSTRY VINYL PRESSING PLANT

TT3 TECHNICAL UNIVERSITY DELFT—ACOUSTIC GROUP

TT5 PHILIPS RESEARCH LABORATORIES

TT6 VISION & SOUND EXPERIENCE—DUTCH BROADCAST ARCHIVE

SPECIAL EVENTS

OPENING CEREMONIES – AWARDS - KEYNOTE SPEECH

MIXER PARTY

BOAT TOUR

HEYSER LECTURE - TECHNICAL COUNCIL RECEPTION

ORGAN CONCERT by GRAHAM BLYTH

BANQUET

NEW REVENUE STREAMS FOR STUDIOS

GEOFF EMERICK/SGT. PEPPER

WAVEFIELD SYNTHESIS DEMONSTRATION

STUDENTS / CAREER

CAREER/JOB FAIR

TECHNICAL COMMITTEES

TC MICROPHONES AND APPLICATIONS

TC ELECTRO MAGNETIC COMPATIBILITY

TC ARCHIVING, RESTORTION, AND DIGITAL LIBRARIES

TC AUDIO FORENSICS

TC HIGH RESOLUTION AUDIO

TC STUDIO PRACTICES AND PRODUCTION

TC MULTICHANNEL AND BINAURAL AUDIO TECHNOLOGIES

TC CODING OF AUDIO SIGNALS

TC LOUDSPEAKERS AND HEADPHONES

TC AUDIO FOR GAMES

TC SIGNAL PROCESSING

TC HUMAN FACTORS IN AUDIO SYSTEMS

TC HEARING AND HEARING LOSS PREVENTION

TC PERCEPTION AND SUBJECTIVE EVALUATION OF AUDIO SIGNALS

TC AUDIO RECORDING AND MASTERING SYSTEMS

TC NETWORK AUDIO SYSTEMSTC SIGNAL PROCESSING

TC HUMAN FACTORS IN AUDIO SYSTEMS

TC HEARING AND HEARING LOSS PREVENTION

TC PERCEPTION AND SUBJECTIVE EVALUATION OF AUDIO SIGNALS

TC AUDIO RECORDING AND MASTERING SYSTEMS

TC NETWORK AUDIO SYSTEMS

STANDARDS

v1.3, 20080428, ht