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AES Amsterdam 2008 - Industry Category: BroadcastingBROADCASTING Sound Capture, Contribution, Recording, Processing, Transmission/Distribution, and TV-Sound PAPER SESSIONS P1 LOUDSPEAKERS—1 P2 AUDIO NETWORKING P3 SPATIAL AUDIO PERCEPTION AND PROCESSING—1 P4 LOW BIT-RATE AUDIO CODING P5 MICROPHONES AND LOUDSPEAKERS P7 LOUDSPEAKERS—2 P8 WAVE FIELD SYNTHESIS P9 SPATIAL AUDIO PERCEPTION AND PROCESSING P10 SPATIAL AUDIO PERCEPTION AND PROCESSING—2 P12 AUDIO ARCHIVING, STORAGE, RESTORATION, AND CONTENT MANAGEMENT + AUDIO NETWORKING P13 SIGNAL PROCESSING, SOUND QUALITY DESIGN P15 SIGNAL PROCESSING, SOUND QUALITY DESIGN P21 MULTICHANNEL SOUND P22 AUDIO ARCHIVING, STORAGE, RESTORATION, AND CONTENT MANAGEMENT P25 MULTICHANNEL SOUND P26 LOW BIT-RATE CODING WORKSHOPS W1 PRODUCTION OF SURROUND SOUND WITH HDTV W2 USE OF RF 64: A FILE FORMAT FOR SURROUND SOUND W3 RECORDING STUDIO DESIGN W5 SPATIAL AUDIO AND SOUND DESIGN IN SPORTS W6 TRENDS OF STORAGE TECHNOLOGIES FOR AUDIO RECORDING AND MASTERING W7 LOUDNESS – A CHANGE OF PARADIGMS? W8 SURROUND SOUND IN RADIO W14 CHANGING TO FILE-BASED PRODUCTION W16 IS THE CHANNEL DEAD? NEW WAYS TO BROADCAST YOUR MESSAGE W17 AUDIO NETWORKING FOR THE PROS W18 AUDIO OVER IP SYSTEMS FOR REPORTERS W19 BRINGING DYNAMICS BACK INTO THE MIX W20 WOW, THIS SOUNDS GREAT! W21 JOAN OF ARC W22 SOS—SAVE OUR SPECTRUM! W23 MUSICAL TELEPRESENCE WITH NARROW BAND NETWORKS W26 MIX YOUR OWN NEW YEAR’S CONCERT—PART 1 W27 MIX YOUR OWN NEW YEAR’S CONCERT—PART 2 TUTORIALS T2 DIGITAL AUDIO SIGNALS, FILTERS, AND EQUALIZERS T7 SURROUND SOUND CONTRIBUTION METHODS T8 CURRENT STANDARDS OF FILE-INTERCHANGE FORMATS T12 BROADCAST CASE STUDIES OF PRODUCTIONS MADE IN CHALLEGING CIRCUMSTANCES T15 SOUND ARCHIVING: STANDARDS RELATED TO THE LONG-TERM PRESERVATION OF A SOUND RECORDING T16 QUANTIZATION EFFECTS IN AUDIO SIGNAL PROCESSING T17 MUSIC INDUCED HEARING DISORDERS T18 WHAT IS THE MATRIX? MASTER CLASSES M2 CONCEPTS IN SOUND QUALITY LIVE SOUND SEMINARS L1 DEMYSTIFYING AUDIO L3 MIXING CONSOLES L4 CABLES AND CONNECTORS L5 LIVE MIXING WORKSHOP HISTORICAL EVENTS SHANNON, BEETHOVEN, AND THE COMPACT DISC 100 YEAR OF THE TRIODE COMPACT CASSETTE VINTAGE LOUDSPEAKERS RECORDING HISTORY HISTORICAL COMMITTEE MEETING HISTORICAL CAFE TECHNICAL TOURS TT1 POLYHYMNIA TT2 RECORD INDUSTRY VINYL PRESSING PLANT TT3 TECHNICAL UNIVERSITY DELFT—ACOUSTIC GROUP TT4 TECHNICOLOR
TT5 PHILIPS RESEARCH LABORATORIES TT6 VISION & SOUND EXPERIENCE—DUTCH BROADCAST ARCHIVE SPECIAL EVENTS OPENING CEREMONIES – AWARDS - KEYNOTE SPEECH MIXER PARTY BOAT TOUR HEYSER LECTURE - TECHNICAL COUNCIL RECEPTION ORGAN CONCERT by GRAHAM BLYTH BANQUET GEOFF EMERICK/SGT. PEPPER WAVEFIELD SYNTHESIS DEMONSTRATION STUDENTS / CAREER CAREER/JOB FAIR TECHNICAL COMMITTEES TC MICROPHONES AND APPLICATIONS TC ELECTRO MAGNETIC COMPATIBILITY TC ARCHIVING, RESTORTION, AND DIGITAL LIBRARIES TC HIGH RESOLUTION AUDIO TC STUDIO PRACTICES AND PRODUCTION TC MULTICHANNEL AND BINAURAL AUDIO TECHNOLOGIES TC CODING OF AUDIO SIGNALS TC LOUDSPEAKERS AND HEADPHONES TC SIGNAL PROCESSING TC HUMAN FACTORS IN AUDIO SYSTEMS TC HEARING AND HEARING LOSS PREVENTION TC PERCEPTION AND SUBJECTIVE EVALUATION OF AUDIO SIGNALS TC AUDIO RECORDING AND MASTERING SYSTEMS TC NETWORK AUDIO SYSTEMS STANDARDS v1.3, 20080428, ht |