I Hear NY3D: An Ambisonic Installation Reproducing NYC Soundscapes
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M. Musick, A. Andreopoulou, B. Boren, H. Mohanraj, and A. Roginska, "I Hear NY3D: An Ambisonic Installation Reproducing NYC Soundscapes," Paper 8947, (2013 October.). doi:
M. Musick, A. Andreopoulou, B. Boren, H. Mohanraj, and A. Roginska, "I Hear NY3D: An Ambisonic Installation Reproducing NYC Soundscapes," Paper 8947, (2013 October.). doi:
Abstract: This paper describes the development of a reproduction installation for the "I Hear NY3D" project. This project’s aim is the capture and reproduction of immersive soundfields around Manhattan. A means of creating an engaging reproduction of these soundfields through the medium of an installation will also be discussed. The goal for this installation is an engaging, immersive experience that allows participants to create connections to the soundscapes and observe relationships between the soundscapes. This required the consideration of how to best capture and reproduce these recordings, the presentation of simultaneous multiple soundscapes, and a means of interaction with the material.
@article{musick2013i,
author={musick, michael and andreopoulou, areti and boren, braxton and mohanraj, hariharan and roginska, agnieszka},
journal={journal of the audio engineering society},
title={i hear ny3d: an ambisonic installation reproducing nyc soundscapes},
year={2013},
volume={},
number={},
pages={},
doi={},
month={october},}
@article{musick2013i,
author={musick, michael and andreopoulou, areti and boren, braxton and mohanraj, hariharan and roginska, agnieszka},
journal={journal of the audio engineering society},
title={i hear ny3d: an ambisonic installation reproducing nyc soundscapes},
year={2013},
volume={},
number={},
pages={},
doi={},
month={october},
abstract={this paper describes the development of a reproduction installation for the "i hear ny3d" project. this project’s aim is the capture and reproduction of immersive soundfields around manhattan. a means of creating an engaging reproduction of these soundfields through the medium of an installation will also be discussed. the goal for this installation is an engaging, immersive experience that allows participants to create connections to the soundscapes and observe relationships between the soundscapes. this required the consideration of how to best capture and reproduce these recordings, the presentation of simultaneous multiple soundscapes, and a means of interaction with the material.},}
TY - paper
TI - I Hear NY3D: An Ambisonic Installation Reproducing NYC Soundscapes
SP -
EP -
AU - Musick, Michael
AU - Andreopoulou, Areti
AU - Boren, Braxton
AU - Mohanraj, Hariharan
AU - Roginska, Agnieszka
PY - 2013
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - October 2013
TY - paper
TI - I Hear NY3D: An Ambisonic Installation Reproducing NYC Soundscapes
SP -
EP -
AU - Musick, Michael
AU - Andreopoulou, Areti
AU - Boren, Braxton
AU - Mohanraj, Hariharan
AU - Roginska, Agnieszka
PY - 2013
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - October 2013
AB - This paper describes the development of a reproduction installation for the "I Hear NY3D" project. This project’s aim is the capture and reproduction of immersive soundfields around Manhattan. A means of creating an engaging reproduction of these soundfields through the medium of an installation will also be discussed. The goal for this installation is an engaging, immersive experience that allows participants to create connections to the soundscapes and observe relationships between the soundscapes. This required the consideration of how to best capture and reproduce these recordings, the presentation of simultaneous multiple soundscapes, and a means of interaction with the material.
This paper describes the development of a reproduction installation for the "I Hear NY3D" project. This project’s aim is the capture and reproduction of immersive soundfields around Manhattan. A means of creating an engaging reproduction of these soundfields through the medium of an installation will also be discussed. The goal for this installation is an engaging, immersive experience that allows participants to create connections to the soundscapes and observe relationships between the soundscapes. This required the consideration of how to best capture and reproduce these recordings, the presentation of simultaneous multiple soundscapes, and a means of interaction with the material.
Authors:
Musick, Michael; Andreopoulou, Areti; Boren, Braxton; Mohanraj, Hariharan; Roginska, Agnieszka
Affiliation:
New York University, New York, NY, USA
AES Convention:
135 (October 2013)
Paper Number:
8947
Publication Date:
October 16, 2013Import into BibTeX
Subject:
Spatial Audio
Permalink:
http://www.aes.org/e-lib/browse.cfm?elib=16997