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Precise Modeling of Reverberant Room Responses Using Wavelet Decomposition and Orthonormal Basis Functions

 

Optimal Control of a High Frequency Class-D Amplifier

 

An Analytical Approach for Optimizing the Curving of Line Source Arrays

 

Elicitation of Expert Knowledge to Inform Object-Based Audio Rendering to Different Systems

 

Perception of Coding Artifacts by Nonnative Speakers - A Study with Mandarin Chinese and German Speaking Listeners

 

Applications of Current-Starved Inverters to Music Synthesis on Field Programmable Analog Arrays

 

Automotive Audio Drive Forwards

 

Single-Channel Speech Enhancement Based on Subband Spectral Entropy

 

Required Measurement Accuracy of Head Dimensions for Modeling the Interaural Time Difference

 

Determination and Validation of Mix Parameters for Modifying Envelopment in Object-Based Audio

 

Removing Reflections in Semianechoic Impulse Responses by Frequency-Dependent Truncation

 

Design of a Wideband Linear Microphone Array for High-Quality Audio Recording

 

Reference Equivalent Threshold Sound Pressure Levels for Nonaudiometric Headphones

 

Audio for Cinema

 

Augmentation of Acoustic Drums using Electromagnetic Actuation and Wireless Control

 

Facilitating Accessibility in Performance: Participatory Design for Digital Musical Instruments

 

Co-design of a Smart Cajón

 

The Rough Mile: a Design Template for Locative Audio Experiences

 

PaperClip: A Digital Pen Interface for Semantic Speech Editing in Radio Production

 

Turn-taking and Online Chatting in Remote and Co-located Collaborative Music Live Coding

 

Assessing Musical Similarity for Computational Music Creativity

 

The Perception of Vocal Traits in Synthesized Voices: Age, Gender, and Human Likeness

 

Embedded Multichannel Linux Audiosystem for Musical Applications

 

Perceptual Evaluation: Listening Strategies, Methods, and VR

 

Reinforcement-Learning-Based Personalization of Head-Related Transfer Functions

 

Sensory Profiling of High-End Loudspeakers Using Rapid Methods—Part 3: Check-All-That-Apply with Naïve Assessors

 

Control of Fundamental Frequency Fluctuation in Taiwanese Singing Synthesis

 

A Contour Integral Method for Time-Domain Response Calculations

 

Acoustic Event Classification using Low-Resolution Multi-label Non-negative Matrix Deconvolution

 

Listener Preference for Wave Field Synthesis, Stereophony, and Different Mixes in Popular Music

 

Virtual Reality, Will It Be a Game-Changer

 

Qualitative Evaluation of Media Device Orchestration for Immersive Spatial Audio Reproduction

 

User-independent Accelerometer Gesture Recognition for Participatory Mobile Music

 

Augmenting a MIDI Keyboard Using Virtual Interfaces

 

Measurement, Recognition, and Visualization of Piano Pedaling Gestures and Techniques

 

Speech Emotion Recognition for Performance Interaction

 

Sounding Out Ethnography and Design: Developing Metadata Frameworks for Designing Personal Heritage Soundscapes

 

Touch the Sound: Design and Development of a Tangible System for Sound Experimentation

 

Ecosystems of Visual Programming Languages for Music Creation: A Quantitative Study

 

Loudspeaker Design: Optimization and Efficiency

 

Acoustic Energy Harvesting Inside Loudspeaker Enclosures

 

Fractional Derivative Loudspeaker Models for Nonlinear Suspensions and Voice Coils

 

The Frequency and Loudspeaker-Azimuth Dependencies of Vertical Interchannel Decorrelation on the Vertical Spread of an Auditory Image

 

Evaluating Live Loudness Meters from Engineers’ Actions and Resulting Output Levels

 

An Objective Audio Quality Measure Based on Power and Envelope Power Cues

 

Creating Real-Time Aeroacoustic Sound Effects Using Physically Informed Models

 

Room Acoustics: Modeling, Enhancement, Measurement

 

An Improved Packet Loss Recovery of Audio Signals Based on Frequency Tracking

 

Mixed Analytical-Numerical Filter Design for Optimized Electronic Control of Line Source Arrays

 

Interactive Mode Explorer Sonification Enhances Exploratory Cluster Analysis

 

Virtual Acoustics for Musicians: Subjective Evaluation of a Virtual Acoustic System in Performance of String Quartets

 

An Immersive Audio Control System Using Mobile Devices and Ethernet AVB-Capable Speakers

 

Hearing Disorders and Music

 

Comments on “Bandpass Subwoofer Design”

 

Single-Ended Speech Quality Prediction Based on Automatic Speech Recognition

 

Layered Motion and Gesture Sonification in an Interactive Installation

 

A New Recursive Semi-Supervised Non-Negative Matrix Factorization for Separation of Harmonic and Percussive Elements in Digital Sounds

 

Minimally Simple Binaural Room Modeling Using a Single Feedback Delay Network

 

Physically Based Unified Modeling for a Series of Miniature Twin Triode Tubes

 

Identification of Volterra Models of Tube Audio Devices using Multiple-Variance Method

 

Preserving Our Audio Heritage

 

Fast Continuous Measurement of HRTFs with Unconstrained Head Movements for 3D Audio

 

Multichannel Equalization and Crosstalk Cancellation Using Fixed-Pole IIR Filters

 

Audio Semantics: Online Chat Communication in Open Band Participatory Music Performances

 

Modeling and Delay-Equalizing Loudspeaker Responses

 

An Automatic Design Procedure for Low-order IIR Parametric Equalizers

 

Dynamic Diffuse Signal Processing for Sound Reinforcement and Reproduction

 

An Investigation of Motional Feedback Disk Recording System Design

 

Spatial Audio: Channels, Objects, and Ambisonics

 

Gray-Box Modeling of Guitar Amplifiers

 

Sonification Mappings: Estimating Effectiveness, Polarities and Scaling in an Online Experiment

 

Sound Radiation Control for Uniform Directionality in the Presence of Strong Early Reflections

 

Hybrid Approach to Speech Source Separation Depending on the Voicing State

 

Higher Power Density Amplifiers

 

Method to Estimate the Acoustic Center of Directional Sources and its Psychoacoustic Evaluation

 

Analysis of 2D Feature Spaces for Deep Learning-Based Speech Recognition

 

3D Printed Acoustic Lens for Dispersing Sound

 

Evaluating AVAR: Goodbye Quality, Hello Plausibility?