MMAD — Designing for Height -- Practical Configurations
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M. Williams, "MMAD – Designing for Height – Practical Configurations," Paper 10555, (2022 May.). doi:
M. Williams, "MMAD – Designing for Height – Practical Configurations," Paper 10555, (2022 May.). doi:
Abstract: Although the basic philosophy behind the design of Microphone arrays, for 3D audio recording and reproduction,
has been described in previous AES papers[1][2][3][4], no specific examples have been given with respect to various
Surround Sound arrays and the corresponding height arrays (1st layer of height array microphones and the Zenith
microphone). This paper gives four examples of complete 3D Audio arrays with perfect critical linking. Examples
include same microphone directivity arrays, as well as hybrid arrays. Suitable steering functions are discussed,
and specific values are given for each array combination, so as to obtain perfect critical linking.
@article{williams2022mmad,
author={williams, michael},
journal={journal of the audio engineering society},
title={mmad – designing for height – practical configurations},
year={2022},
volume={},
number={},
pages={},
doi={},
month={may},}
@article{williams2022mmad,
author={williams, michael},
journal={journal of the audio engineering society},
title={mmad – designing for height – practical configurations},
year={2022},
volume={},
number={},
pages={},
doi={},
month={may},
abstract={although the basic philosophy behind the design of microphone arrays, for 3d audio recording and reproduction,
has been described in previous aes papers[1][2][3][4], no specific examples have been given with respect to various
surround sound arrays and the corresponding height arrays (1st layer of height array microphones and the zenith
microphone). this paper gives four examples of complete 3d audio arrays with perfect critical linking. examples
include same microphone directivity arrays, as well as hybrid arrays. suitable steering functions are discussed,
and specific values are given for each array combination, so as to obtain perfect critical linking.},}
TY - paper
TI - MMAD – Designing for Height – Practical Configurations
SP -
EP -
AU - Williams, Michael
PY - 2022
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 2022
TY - paper
TI - MMAD – Designing for Height – Practical Configurations
SP -
EP -
AU - Williams, Michael
PY - 2022
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 2022
AB - Although the basic philosophy behind the design of Microphone arrays, for 3D audio recording and reproduction,
has been described in previous AES papers[1][2][3][4], no specific examples have been given with respect to various
Surround Sound arrays and the corresponding height arrays (1st layer of height array microphones and the Zenith
microphone). This paper gives four examples of complete 3D Audio arrays with perfect critical linking. Examples
include same microphone directivity arrays, as well as hybrid arrays. Suitable steering functions are discussed,
and specific values are given for each array combination, so as to obtain perfect critical linking.
Although the basic philosophy behind the design of Microphone arrays, for 3D audio recording and reproduction,
has been described in previous AES papers[1][2][3][4], no specific examples have been given with respect to various
Surround Sound arrays and the corresponding height arrays (1st layer of height array microphones and the Zenith
microphone). This paper gives four examples of complete 3D Audio arrays with perfect critical linking. Examples
include same microphone directivity arrays, as well as hybrid arrays. Suitable steering functions are discussed,
and specific values are given for each array combination, so as to obtain perfect critical linking.
Open Access
Author:
Williams, Michael
Affiliation:
Sounds of Scotland, Le Perreux sur Marne, France
AES Convention:
152 (May 2022)
Paper Number:
10555
Publication Date:
May 2, 2022Import into BibTeX
Subject:
3D/Immersive/Spatial Audio
Permalink:
http://www.aes.org/e-lib/browse.cfm?elib=21668