The attribute of presence was explored in relation to immersive audio, in papers presented at the Fall 2020 convention. We learn about the success of rendering techniques for immersive spatial audio, as well as the emulation and capture of acoustic spaces. An attempt is described to develop a recording and mixing approach aimed at Dolby Atmos immersive reproduction.
Click to purchase paper as a non-member or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $33 for non-members and is free for AES members and E-Library subscribers.