C. Çakmak, and R. Hamilton, "od: Composing Spatial Multimedia for the Web," J. Audio Eng. Soc., vol. 68, no. 10, pp. 747-755, (2020 October.). doi: https://doi.org/10.17743/jaes.2020.0017
C. Çakmak, and R. Hamilton, "od: Composing Spatial Multimedia for the Web," J. Audio Eng. Soc., vol. 68 Issue 10 pp. 747-755, (2020 October.). doi: https://doi.org/10.17743/jaes.2020.0017
Abstract: Composers have been exploring multi-channel sound field spatialization since the early days of electronic music. However, reproduction of such works outside of specialized concert spaces and research facilities or even their accurate reproduction within those spaces remain difficult and unpredictable at best. Combining the reach and simplicity of web browsers with ambisonic to binaural rendering, Web Audio-based tools can ensure greater accessibility for existing spatial works as well as acting as a platform upon which new ones can be implemented. At times with such practices the developing technologies become deprecated or obsolete during the period of making the work. This paper describes the technical design and artistic conception of od, a spatial multimedia production for binaural listening on the web. The project has led us to develop a workflow without relying on specific tools that can be of use as a framework for documenting existing spatial works or novel browser-based creative applications.
@article{çakmak2020od:,
author={çakmak, cem and hamilton, rob},
journal={journal of the audio engineering society},
title={od: composing spatial multimedia for the web},
year={2020},
volume={68},
number={10},
pages={747-755},
doi={https://doi.org/10.17743/jaes.2020.0017},
month={october},}
@article{çakmak2020od:,
author={çakmak, cem and hamilton, rob},
journal={journal of the audio engineering society},
title={od: composing spatial multimedia for the web},
year={2020},
volume={68},
number={10},
pages={747-755},
doi={https://doi.org/10.17743/jaes.2020.0017},
month={october},
abstract={composers have been exploring multi-channel sound field spatialization since the early days of electronic music. however, reproduction of such works outside of specialized concert spaces and research facilities or even their accurate reproduction within those spaces remain difficult and unpredictable at best. combining the reach and simplicity of web browsers with ambisonic to binaural rendering, web audio-based tools can ensure greater accessibility for existing spatial works as well as acting as a platform upon which new ones can be implemented. at times with such practices the developing technologies become deprecated or obsolete during the period of making the work. this paper describes the technical design and artistic conception of od, a spatial multimedia production for binaural listening on the web. the project has led us to develop a workflow without relying on specific tools that can be of use as a framework for documenting existing spatial works or novel browser-based creative applications.},}
TY - paper
TI - od: Composing Spatial Multimedia for the Web
SP - 747
EP - 755
AU - Çakmak, Cem
AU - Hamilton, Rob
PY - 2020
JO - Journal of the Audio Engineering Society
IS - 10
VO - 68
VL - 68
Y1 - October 2020
TY - paper
TI - od: Composing Spatial Multimedia for the Web
SP - 747
EP - 755
AU - Çakmak, Cem
AU - Hamilton, Rob
PY - 2020
JO - Journal of the Audio Engineering Society
IS - 10
VO - 68
VL - 68
Y1 - October 2020
AB - Composers have been exploring multi-channel sound field spatialization since the early days of electronic music. However, reproduction of such works outside of specialized concert spaces and research facilities or even their accurate reproduction within those spaces remain difficult and unpredictable at best. Combining the reach and simplicity of web browsers with ambisonic to binaural rendering, Web Audio-based tools can ensure greater accessibility for existing spatial works as well as acting as a platform upon which new ones can be implemented. At times with such practices the developing technologies become deprecated or obsolete during the period of making the work. This paper describes the technical design and artistic conception of od, a spatial multimedia production for binaural listening on the web. The project has led us to develop a workflow without relying on specific tools that can be of use as a framework for documenting existing spatial works or novel browser-based creative applications.
Composers have been exploring multi-channel sound field spatialization since the early days of electronic music. However, reproduction of such works outside of specialized concert spaces and research facilities or even their accurate reproduction within those spaces remain difficult and unpredictable at best. Combining the reach and simplicity of web browsers with ambisonic to binaural rendering, Web Audio-based tools can ensure greater accessibility for existing spatial works as well as acting as a platform upon which new ones can be implemented. At times with such practices the developing technologies become deprecated or obsolete during the period of making the work. This paper describes the technical design and artistic conception of od, a spatial multimedia production for binaural listening on the web. The project has led us to develop a workflow without relying on specific tools that can be of use as a framework for documenting existing spatial works or novel browser-based creative applications.
