Emily's World: behind the scenes of a binaural synthesis production
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D. Poirier-Quinot, L. Hardoin, and B. Katz, "Emily’s World: behind the scenes of a binaural synthesis production," Engineering Brief 611, (2020 May.). doi:
D. Poirier-Quinot, L. Hardoin, and B. Katz, "Emily’s World: behind the scenes of a binaural synthesis production," Engineering Brief 611, (2020 May.). doi:
Abstract: Three main workflows exist to create binaural content: binaural recording, binaural decoding of Ambisonic recordings, and binaural synthesis. Binaural synthesis, as an object-oriented approach, offers the highest flexibility throughout the creation process (composition, mixing, etc.). Conversely, it typically requires separate takes for each audio source and animations to construct the final spatial mix. “Binaural Steps - Emily’s World” is an 8 min short radio-fiction commissioned to highlight the possibilities of binaural synthesis using studio and Foley recordings. Synthesis was achieved using the Anaglyph binaural audio engine, designed to facilitate the transition of spatial hearing research from laboratory to industry.
@article{poirier-quinot2020emily’s,
author={poirier-quinot, david and hardoin, lucie and katz, brian},
journal={journal of the audio engineering society},
title={emily’s world: behind the scenes of a binaural synthesis production},
year={2020},
volume={},
number={},
pages={},
doi={},
month={may},}
@article{poirier-quinot2020emily’s,
author={poirier-quinot, david and hardoin, lucie and katz, brian},
journal={journal of the audio engineering society},
title={emily’s world: behind the scenes of a binaural synthesis production},
year={2020},
volume={},
number={},
pages={},
doi={},
month={may},
abstract={three main workflows exist to create binaural content: binaural recording, binaural decoding of ambisonic recordings, and binaural synthesis. binaural synthesis, as an object-oriented approach, offers the highest flexibility throughout the creation process (composition, mixing, etc.). conversely, it typically requires separate takes for each audio source and animations to construct the final spatial mix. “binaural steps - emily’s world” is an 8 min short radio-fiction commissioned to highlight the possibilities of binaural synthesis using studio and foley recordings. synthesis was achieved using the anaglyph binaural audio engine, designed to facilitate the transition of spatial hearing research from laboratory to industry.},}
TY - paper
TI - Emily’s World: behind the scenes of a binaural synthesis production
SP -
EP -
AU - Poirier-Quinot, David
AU - Hardoin, Lucie
AU - Katz, Brian
PY - 2020
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 2020
TY - paper
TI - Emily’s World: behind the scenes of a binaural synthesis production
SP -
EP -
AU - Poirier-Quinot, David
AU - Hardoin, Lucie
AU - Katz, Brian
PY - 2020
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 2020
AB - Three main workflows exist to create binaural content: binaural recording, binaural decoding of Ambisonic recordings, and binaural synthesis. Binaural synthesis, as an object-oriented approach, offers the highest flexibility throughout the creation process (composition, mixing, etc.). Conversely, it typically requires separate takes for each audio source and animations to construct the final spatial mix. “Binaural Steps - Emily’s World” is an 8 min short radio-fiction commissioned to highlight the possibilities of binaural synthesis using studio and Foley recordings. Synthesis was achieved using the Anaglyph binaural audio engine, designed to facilitate the transition of spatial hearing research from laboratory to industry.
Three main workflows exist to create binaural content: binaural recording, binaural decoding of Ambisonic recordings, and binaural synthesis. Binaural synthesis, as an object-oriented approach, offers the highest flexibility throughout the creation process (composition, mixing, etc.). Conversely, it typically requires separate takes for each audio source and animations to construct the final spatial mix. “Binaural Steps - Emily’s World” is an 8 min short radio-fiction commissioned to highlight the possibilities of binaural synthesis using studio and Foley recordings. Synthesis was achieved using the Anaglyph binaural audio engine, designed to facilitate the transition of spatial hearing research from laboratory to industry.
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