Generalised Low Frequency 3D Audio Reproduction Over Loudspeakers
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J. Hollebon, and F. Maria Fazi, "Generalised Low Frequency 3D Audio Reproduction Over Loudspeakers," Paper 10346, (2020 May.). doi:
J. Hollebon, and F. Maria Fazi, "Generalised Low Frequency 3D Audio Reproduction Over Loudspeakers," Paper 10346, (2020 May.). doi:
Abstract: There exist many different techniques to reproduce 3D audio over loudspeakers, each derived from different models and motivations. However, at low frequencies these varying reproduction methods appear more similar than previously thought. This paper produces an analytical analysis of the stereo sine law, head-tracked stereo sine law, stereo tangent law/vector base amplitude panning, crosstalk cancellation and ?rst order Ambisonics. Many of these techniques are shown mathematically to be equal or subsets of each other, resulting in a more generalised theory for low frequency audio reproduction over loudspeakers. Finally, the performance of each of the reproduction methods is considered under a low frequency analysis framework derived from a sound?eld reproduction perspective.
@article{hollebon2020generalised,
author={hollebon, jacob and maria fazi, filippo},
journal={journal of the audio engineering society},
title={generalised low frequency 3d audio reproduction over loudspeakers},
year={2020},
volume={},
number={},
pages={},
doi={},
month={may},}
@article{hollebon2020generalised,
author={hollebon, jacob and maria fazi, filippo},
journal={journal of the audio engineering society},
title={generalised low frequency 3d audio reproduction over loudspeakers},
year={2020},
volume={},
number={},
pages={},
doi={},
month={may},
abstract={there exist many different techniques to reproduce 3d audio over loudspeakers, each derived from different models and motivations. however, at low frequencies these varying reproduction methods appear more similar than previously thought. this paper produces an analytical analysis of the stereo sine law, head-tracked stereo sine law, stereo tangent law/vector base amplitude panning, crosstalk cancellation and ?rst order ambisonics. many of these techniques are shown mathematically to be equal or subsets of each other, resulting in a more generalised theory for low frequency audio reproduction over loudspeakers. finally, the performance of each of the reproduction methods is considered under a low frequency analysis framework derived from a sound?eld reproduction perspective.},}
TY - paper
TI - Generalised Low Frequency 3D Audio Reproduction Over Loudspeakers
SP -
EP -
AU - Hollebon, Jacob
AU - Maria Fazi, Filippo
PY - 2020
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 2020
TY - paper
TI - Generalised Low Frequency 3D Audio Reproduction Over Loudspeakers
SP -
EP -
AU - Hollebon, Jacob
AU - Maria Fazi, Filippo
PY - 2020
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 2020
AB - There exist many different techniques to reproduce 3D audio over loudspeakers, each derived from different models and motivations. However, at low frequencies these varying reproduction methods appear more similar than previously thought. This paper produces an analytical analysis of the stereo sine law, head-tracked stereo sine law, stereo tangent law/vector base amplitude panning, crosstalk cancellation and ?rst order Ambisonics. Many of these techniques are shown mathematically to be equal or subsets of each other, resulting in a more generalised theory for low frequency audio reproduction over loudspeakers. Finally, the performance of each of the reproduction methods is considered under a low frequency analysis framework derived from a sound?eld reproduction perspective.
There exist many different techniques to reproduce 3D audio over loudspeakers, each derived from different models and motivations. However, at low frequencies these varying reproduction methods appear more similar than previously thought. This paper produces an analytical analysis of the stereo sine law, head-tracked stereo sine law, stereo tangent law/vector base amplitude panning, crosstalk cancellation and ?rst order Ambisonics. Many of these techniques are shown mathematically to be equal or subsets of each other, resulting in a more generalised theory for low frequency audio reproduction over loudspeakers. Finally, the performance of each of the reproduction methods is considered under a low frequency analysis framework derived from a sound?eld reproduction perspective.
Authors:
Hollebon, Jacob; Maria Fazi, Filippo
Affiliation:
University of Southampton
AES Convention:
148 (May 2020)
Paper Number:
10346
Publication Date:
May 28, 2020Import into BibTeX
Subject:
Spatial Audio
Permalink:
http://www.aes.org/e-lib/browse.cfm?elib=20763