Bamako, economic capital of Mali in West Africa, saw the recent multiplication of digital studios based on Cubase 5, FL Studio, cracked plugins, a MIDI keyboard, and a small cabin with a cheap condenser microphone and a pop-filter. From videos and screen captures of recording sessions in three of these studios, we analyzed the creative process of four DAW practitioners from the beginning of the beat production to the mastering of the track. We also examined their interaction with the singers and rappers. Our analyses showed that young Malian DAW practitioners constantly revisit their MIDI arrangement and vocal recordings with advanced editing techniques. Locally successful, they have quickly developed a notoriety that enables them to be directive with their clients.

Authors: Pras, Amandine; Turner, Kierian; Bol, Toby; Olivier, Emmanuelle
Affiliations: Digital Audio Arts - University of Lethbridge, Lethbridge, Alberta, Canada; School for Advanced Studies in the Social Sciences, Paris, France; CNRS Centre Georg Simmel (EHESS), Paris, France(See document for exact affiliation information.)
AES Convention: 147 (October 2019) Paper Number: 10296
Publication Date: October 8, 2019 Import into BibTeX
Subject: Audio Education
Permalink: http://www.aes.org/e-lib/browse.cfm?elib=20669

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