Perceptual Assessment of Distortion in Low-Frequency Loudspeakers
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L. Fielder, and M. Smithers, "Perceptual Assessment of Distortion in Low-Frequency Loudspeakers," Paper 10242, (2019 October.). doi:
L. Fielder, and M. Smithers, "Perceptual Assessment of Distortion in Low-Frequency Loudspeakers," Paper 10242, (2019 October.). doi:
Abstract: A perceptually-driven distortion metric for loudspeakers is proposed that is based on a critical-band spectral comparison of the distortion and noise to an appropriate masking threshold. The loudspeaker is excited by a sine-wave signal composed of windowed 0.3 second bursts. Loudspeaker masking curves for sine waves between 20–500 Hz are derived from previously published ones for headphone distortion evaluation and expanded to curves at 1 decibel increments by linear interpolation and extrapolation. For each burst, the ratios of measured distortion and noise levels to the appropriate masking curve values are determined for each critical band starting at the second harmonic. Once this is done the audibility of all these contributions are combined into various audibility values.
@article{fielder2019perceptual,
author={fielder, louis and smithers, michael},
journal={journal of the audio engineering society},
title={perceptual assessment of distortion in low-frequency loudspeakers},
year={2019},
volume={},
number={},
pages={},
doi={},
month={october},}
@article{fielder2019perceptual,
author={fielder, louis and smithers, michael},
journal={journal of the audio engineering society},
title={perceptual assessment of distortion in low-frequency loudspeakers},
year={2019},
volume={},
number={},
pages={},
doi={},
month={october},
abstract={a perceptually-driven distortion metric for loudspeakers is proposed that is based on a critical-band spectral comparison of the distortion and noise to an appropriate masking threshold. the loudspeaker is excited by a sine-wave signal composed of windowed 0.3 second bursts. loudspeaker masking curves for sine waves between 20–500 hz are derived from previously published ones for headphone distortion evaluation and expanded to curves at 1 decibel increments by linear interpolation and extrapolation. for each burst, the ratios of measured distortion and noise levels to the appropriate masking curve values are determined for each critical band starting at the second harmonic. once this is done the audibility of all these contributions are combined into various audibility values.},}
TY - paper
TI - Perceptual Assessment of Distortion in Low-Frequency Loudspeakers
SP -
EP -
AU - Fielder, Louis
AU - Smithers, Michael
PY - 2019
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - October 2019
TY - paper
TI - Perceptual Assessment of Distortion in Low-Frequency Loudspeakers
SP -
EP -
AU - Fielder, Louis
AU - Smithers, Michael
PY - 2019
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - October 2019
AB - A perceptually-driven distortion metric for loudspeakers is proposed that is based on a critical-band spectral comparison of the distortion and noise to an appropriate masking threshold. The loudspeaker is excited by a sine-wave signal composed of windowed 0.3 second bursts. Loudspeaker masking curves for sine waves between 20–500 Hz are derived from previously published ones for headphone distortion evaluation and expanded to curves at 1 decibel increments by linear interpolation and extrapolation. For each burst, the ratios of measured distortion and noise levels to the appropriate masking curve values are determined for each critical band starting at the second harmonic. Once this is done the audibility of all these contributions are combined into various audibility values.
A perceptually-driven distortion metric for loudspeakers is proposed that is based on a critical-band spectral comparison of the distortion and noise to an appropriate masking threshold. The loudspeaker is excited by a sine-wave signal composed of windowed 0.3 second bursts. Loudspeaker masking curves for sine waves between 20–500 Hz are derived from previously published ones for headphone distortion evaluation and expanded to curves at 1 decibel increments by linear interpolation and extrapolation. For each burst, the ratios of measured distortion and noise levels to the appropriate masking curve values are determined for each critical band starting at the second harmonic. Once this is done the audibility of all these contributions are combined into various audibility values.
Authors:
Fielder, Louis; Smithers, Michael
Affiliations:
Retired, Millbrae, CA, USA; Dolby Laboratories, Sydney, NSW, Australia(See document for exact affiliation information.)
AES Convention:
147 (October 2019)
Paper Number:
10242
Publication Date:
October 8, 2019Import into BibTeX
Subject:
Transducers
Permalink:
http://www.aes.org/e-lib/browse.cfm?elib=20615