Multichannel Compensated Amplitude Panning, An Adaptive Object-Based Reproduction Method
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D. Menzies, and FI. MA. Fazi, "Multichannel Compensated Amplitude Panning, An Adaptive Object-Based Reproduction Method," J. Audio Eng. Soc., vol. 67, no. 7/8, pp. 549-556, (2019 July.). doi: https://doi.org/10.17743/jaes.2019.0029
D. Menzies, and FI. MA. Fazi, "Multichannel Compensated Amplitude Panning, An Adaptive Object-Based Reproduction Method," J. Audio Eng. Soc., vol. 67 Issue 7/8 pp. 549-556, (2019 July.). doi: https://doi.org/10.17743/jaes.2019.0029
Abstract: Conventional approaches for surround sound panning require loudspeakers to be distributed over the regions where images are required. However in many listening situations it is not practical or desirable to place loudspeakers at some positions, such as behind or above the listener. Compensated Amplitude Panning (CAP) is an object-based reproduction method that adapts dynamically to the listener’s head orientation to provide stable images in any direction in the frequency range up to approximately 1000 Hz. This is achieved by accurately controlling the Interaural Time Difference cue. CAP can also provide images in the near-field range, by controlling the Interaural Level Difference. Using two loudspeakers and with full 6-degrees-of-freedom head tracking, it was previously shown possible to create low band images in any direction, although excessive gain is required for some listener orientations. But with 3 loudspeakers all images directions can be reproduced with moderate gain. Adding more loudspeakers to a stereo configuration does not worsen performance. For comparison, an Ambisonic approach with position tracking and 3 frontal loudspeakers can reproduce horizontal surround images, and 4 loudspeakers can reproduce full 3D.
@article{menzies2019multichannel,
author={menzies, dylan and fazi, filippo maria},
journal={journal of the audio engineering society},
title={multichannel compensated amplitude panning, an adaptive object-based reproduction method},
year={2019},
volume={67},
number={7/8},
pages={549-556},
doi={https://doi.org/10.17743/jaes.2019.0029},
month={july},}
@article{menzies2019multichannel,
author={menzies, dylan and fazi, filippo maria},
journal={journal of the audio engineering society},
title={multichannel compensated amplitude panning, an adaptive object-based reproduction method},
year={2019},
volume={67},
number={7/8},
pages={549-556},
doi={https://doi.org/10.17743/jaes.2019.0029},
month={july},
abstract={conventional approaches for surround sound panning require loudspeakers to be distributed over the regions where images are required. however in many listening situations it is not practical or desirable to place loudspeakers at some positions, such as behind or above the listener. compensated amplitude panning (cap) is an object-based reproduction method that adapts dynamically to the listener’s head orientation to provide stable images in any direction in the frequency range up to approximately 1000 hz. this is achieved by accurately controlling the interaural time difference cue. cap can also provide images in the near-field range, by controlling the interaural level difference. using two loudspeakers and with full 6-degrees-of-freedom head tracking, it was previously shown possible to create low band images in any direction, although excessive gain is required for some listener orientations. but with 3 loudspeakers all images directions can be reproduced with moderate gain. adding more loudspeakers to a stereo configuration does not worsen performance. for comparison, an ambisonic approach with position tracking and 3 frontal loudspeakers can reproduce horizontal surround images, and 4 loudspeakers can reproduce full 3d.},}
TY - paper
TI - Multichannel Compensated Amplitude Panning, An Adaptive Object-Based Reproduction Method
SP - 549
EP - 556
AU - Menzies, Dylan
AU - Fazi, Filippo Maria
PY - 2019
JO - Journal of the Audio Engineering Society
IS - 7/8
VO - 67
VL - 67
Y1 - July 2019
TY - paper
TI - Multichannel Compensated Amplitude Panning, An Adaptive Object-Based Reproduction Method
SP - 549
EP - 556
AU - Menzies, Dylan
AU - Fazi, Filippo Maria
PY - 2019
JO - Journal of the Audio Engineering Society
IS - 7/8
VO - 67
VL - 67
Y1 - July 2019
AB - Conventional approaches for surround sound panning require loudspeakers to be distributed over the regions where images are required. However in many listening situations it is not practical or desirable to place loudspeakers at some positions, such as behind or above the listener. Compensated Amplitude Panning (CAP) is an object-based reproduction method that adapts dynamically to the listener’s head orientation to provide stable images in any direction in the frequency range up to approximately 1000 Hz. This is achieved by accurately controlling the Interaural Time Difference cue. CAP can also provide images in the near-field range, by controlling the Interaural Level Difference. Using two loudspeakers and with full 6-degrees-of-freedom head tracking, it was previously shown possible to create low band images in any direction, although excessive gain is required for some listener orientations. But with 3 loudspeakers all images directions can be reproduced with moderate gain. Adding more loudspeakers to a stereo configuration does not worsen performance. For comparison, an Ambisonic approach with position tracking and 3 frontal loudspeakers can reproduce horizontal surround images, and 4 loudspeakers can reproduce full 3D.
Conventional approaches for surround sound panning require loudspeakers to be distributed over the regions where images are required. However in many listening situations it is not practical or desirable to place loudspeakers at some positions, such as behind or above the listener. Compensated Amplitude Panning (CAP) is an object-based reproduction method that adapts dynamically to the listener’s head orientation to provide stable images in any direction in the frequency range up to approximately 1000 Hz. This is achieved by accurately controlling the Interaural Time Difference cue. CAP can also provide images in the near-field range, by controlling the Interaural Level Difference. Using two loudspeakers and with full 6-degrees-of-freedom head tracking, it was previously shown possible to create low band images in any direction, although excessive gain is required for some listener orientations. But with 3 loudspeakers all images directions can be reproduced with moderate gain. Adding more loudspeakers to a stereo configuration does not worsen performance. For comparison, an Ambisonic approach with position tracking and 3 frontal loudspeakers can reproduce horizontal surround images, and 4 loudspeakers can reproduce full 3D.
Open Access
Authors:
Menzies, Dylan; Fazi, Filippo Maria
Affiliation:
Institute of Sound and Vibration Research, University of Southampton, Southampton, UK JAES Volume 67 Issue 7/8 pp. 549-556; July 2019
Publication Date:
August 14, 2019Import into BibTeX
Permalink:
http://www.aes.org/e-lib/browse.cfm?elib=20493