Measurement, Recognition, and Visualization of Piano Pedaling Gestures and Techniques
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B. Liang, G. Fazekas, and M. Sandler, "Measurement, Recognition, and Visualization of Piano Pedaling Gestures and Techniques," J. Audio Eng. Soc., vol. 66, no. 6, pp. 448-456, (2018 June.). doi: https://doi.org/10.17743/jaes.2018.0035
B. Liang, G. Fazekas, and M. Sandler, "Measurement, Recognition, and Visualization of Piano Pedaling Gestures and Techniques," J. Audio Eng. Soc., vol. 66 Issue 6 pp. 448-456, (2018 June.). doi: https://doi.org/10.17743/jaes.2018.0035
Abstract: When playing the piano, pedaling is one of the important techniques that lead to expressive performance, comprising not only the onset and offset information that composers often indicate in the score, but also gestures related to the musical interpretation by performers. This research examines pedaling gestures and techniques on the sustain pedal from the perspective of measurement, recognition, and visualization. Pedaling gestures can be captured by a dedicated measurement system where the sensor data is simultaneously recorded alongside the piano sound under normal playing conditions. Recognition is comprised of two separate tasks on the sensor data: pedal onset/offset detection and classification by technique. The onset and offset times of each pedaling technique were computed using signal processing algorithms. Based on features extracted from every segment when the pedal is pressed, the task of classifying the segments by pedaling technique was undertaken using machine-learning methods. High accuracy was obtained by cross validation. The recognition results can be represented using novel pedaling notations and visualized in an audio-based score-following application.
@article{liang2018measurement,,
author={liang, beici and fazekas, györgy and sandler, mark},
journal={journal of the audio engineering society},
title={measurement, recognition, and visualization of piano pedaling gestures and techniques},
year={2018},
volume={66},
number={6},
pages={448-456},
doi={https://doi.org/10.17743/jaes.2018.0035},
month={june},}
@article{liang2018measurement,,
author={liang, beici and fazekas, györgy and sandler, mark},
journal={journal of the audio engineering society},
title={measurement, recognition, and visualization of piano pedaling gestures and techniques},
year={2018},
volume={66},
number={6},
pages={448-456},
doi={https://doi.org/10.17743/jaes.2018.0035},
month={june},
abstract={when playing the piano, pedaling is one of the important techniques that lead to expressive performance, comprising not only the onset and offset information that composers often indicate in the score, but also gestures related to the musical interpretation by performers. this research examines pedaling gestures and techniques on the sustain pedal from the perspective of measurement, recognition, and visualization. pedaling gestures can be captured by a dedicated measurement system where the sensor data is simultaneously recorded alongside the piano sound under normal playing conditions. recognition is comprised of two separate tasks on the sensor data: pedal onset/offset detection and classification by technique. the onset and offset times of each pedaling technique were computed using signal processing algorithms. based on features extracted from every segment when the pedal is pressed, the task of classifying the segments by pedaling technique was undertaken using machine-learning methods. high accuracy was obtained by cross validation. the recognition results can be represented using novel pedaling notations and visualized in an audio-based score-following application.},}
TY - paper
TI - Measurement, Recognition, and Visualization of Piano Pedaling Gestures and Techniques
SP - 448
EP - 456
AU - Liang, Beici
AU - Fazekas, György
AU - Sandler, Mark
PY - 2018
JO - Journal of the Audio Engineering Society
IS - 6
VO - 66
VL - 66
Y1 - June 2018
TY - paper
TI - Measurement, Recognition, and Visualization of Piano Pedaling Gestures and Techniques
SP - 448
EP - 456
AU - Liang, Beici
AU - Fazekas, György
AU - Sandler, Mark
PY - 2018
JO - Journal of the Audio Engineering Society
IS - 6
VO - 66
VL - 66
Y1 - June 2018
AB - When playing the piano, pedaling is one of the important techniques that lead to expressive performance, comprising not only the onset and offset information that composers often indicate in the score, but also gestures related to the musical interpretation by performers. This research examines pedaling gestures and techniques on the sustain pedal from the perspective of measurement, recognition, and visualization. Pedaling gestures can be captured by a dedicated measurement system where the sensor data is simultaneously recorded alongside the piano sound under normal playing conditions. Recognition is comprised of two separate tasks on the sensor data: pedal onset/offset detection and classification by technique. The onset and offset times of each pedaling technique were computed using signal processing algorithms. Based on features extracted from every segment when the pedal is pressed, the task of classifying the segments by pedaling technique was undertaken using machine-learning methods. High accuracy was obtained by cross validation. The recognition results can be represented using novel pedaling notations and visualized in an audio-based score-following application.
When playing the piano, pedaling is one of the important techniques that lead to expressive performance, comprising not only the onset and offset information that composers often indicate in the score, but also gestures related to the musical interpretation by performers. This research examines pedaling gestures and techniques on the sustain pedal from the perspective of measurement, recognition, and visualization. Pedaling gestures can be captured by a dedicated measurement system where the sensor data is simultaneously recorded alongside the piano sound under normal playing conditions. Recognition is comprised of two separate tasks on the sensor data: pedal onset/offset detection and classification by technique. The onset and offset times of each pedaling technique were computed using signal processing algorithms. Based on features extracted from every segment when the pedal is pressed, the task of classifying the segments by pedaling technique was undertaken using machine-learning methods. High accuracy was obtained by cross validation. The recognition results can be represented using novel pedaling notations and visualized in an audio-based score-following application.
Open Access
Authors:
Liang, Beici; Fazekas, György; Sandler, Mark
Affiliation:
Centre for Digital Music, Queen Mary University of London, London, UK JAES Volume 66 Issue 6 pp. 448-456; June 2018
Publication Date:
June 18, 2018Import into BibTeX
Permalink:
http://www.aes.org/e-lib/browse.cfm?elib=19584