Hearing Loss, Earplug Use, and Attitudes to Hearing Protection Among Non-Orchestral Ensemble Musicians
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I. O’Brien, and E. Beach, "Hearing Loss, Earplug Use, and Attitudes to Hearing Protection Among Non-Orchestral Ensemble Musicians," J. Audio Eng. Soc., vol. 64, no. 3, pp. 132-137, (2016 March.). doi: https://doi.org/10.17743/jaes.2015.0096
I. O’Brien, and E. Beach, "Hearing Loss, Earplug Use, and Attitudes to Hearing Protection Among Non-Orchestral Ensemble Musicians," J. Audio Eng. Soc., vol. 64 Issue 3 pp. 132-137, (2016 March.). doi: https://doi.org/10.17743/jaes.2015.0096
Abstract: This study surveys non-orchestral musicians playing in pipe, jazz, concert, wind, or brass bands regarding their perceived risk of music-induced hearing damage, rates of self-reported hearing loss, and use of earplugs and acoustic screens while playing in an ensemble. A questionnaire was administered to 257 Australian band musicians and the data were compared to responses obtained previously from 367 orchestral musicians. The results showed that band and orchestral musicians had similar rates of self-reported hearing loss, but band musicians were significantly less likely to perceive risk or to use protective equipment. Among the band types, pipe band musicians had the highest incidence of hearing loss, greatest awareness of risk, and highest rates of earplug use. In contrast, brass band musicians demonstrated poor risk awareness and a reluctance to use protective equipment. The authors recommend the education of band musicians and hearing care providers regarding available earplug technology as well as the continued development of earplugs optimized for musicians.
@article{o’brien2016hearing,
author={o’brien, ian and beach, elizabeth},
journal={journal of the audio engineering society},
title={hearing loss, earplug use, and attitudes to hearing protection among non-orchestral ensemble musicians},
year={2016},
volume={64},
number={3},
pages={132-137},
doi={https://doi.org/10.17743/jaes.2015.0096},
month={march},}
@article{o’brien2016hearing,
author={o’brien, ian and beach, elizabeth},
journal={journal of the audio engineering society},
title={hearing loss, earplug use, and attitudes to hearing protection among non-orchestral ensemble musicians},
year={2016},
volume={64},
number={3},
pages={132-137},
doi={https://doi.org/10.17743/jaes.2015.0096},
month={march},
abstract={this study surveys non-orchestral musicians playing in pipe, jazz, concert, wind, or brass bands regarding their perceived risk of music-induced hearing damage, rates of self-reported hearing loss, and use of earplugs and acoustic screens while playing in an ensemble. a questionnaire was administered to 257 australian band musicians and the data were compared to responses obtained previously from 367 orchestral musicians. the results showed that band and orchestral musicians had similar rates of self-reported hearing loss, but band musicians were significantly less likely to perceive risk or to use protective equipment. among the band types, pipe band musicians had the highest incidence of hearing loss, greatest awareness of risk, and highest rates of earplug use. in contrast, brass band musicians demonstrated poor risk awareness and a reluctance to use protective equipment. the authors recommend the education of band musicians and hearing care providers regarding available earplug technology as well as the continued development of earplugs optimized for musicians.},}
TY - paper
TI - Hearing Loss, Earplug Use, and Attitudes to Hearing Protection Among Non-Orchestral Ensemble Musicians
SP - 132
EP - 137
AU - O’Brien, Ian
AU - Beach, Elizabeth
PY - 2016
JO - Journal of the Audio Engineering Society
IS - 3
VO - 64
VL - 64
Y1 - March 2016
TY - paper
TI - Hearing Loss, Earplug Use, and Attitudes to Hearing Protection Among Non-Orchestral Ensemble Musicians
SP - 132
EP - 137
AU - O’Brien, Ian
AU - Beach, Elizabeth
PY - 2016
JO - Journal of the Audio Engineering Society
IS - 3
VO - 64
VL - 64
Y1 - March 2016
AB - This study surveys non-orchestral musicians playing in pipe, jazz, concert, wind, or brass bands regarding their perceived risk of music-induced hearing damage, rates of self-reported hearing loss, and use of earplugs and acoustic screens while playing in an ensemble. A questionnaire was administered to 257 Australian band musicians and the data were compared to responses obtained previously from 367 orchestral musicians. The results showed that band and orchestral musicians had similar rates of self-reported hearing loss, but band musicians were significantly less likely to perceive risk or to use protective equipment. Among the band types, pipe band musicians had the highest incidence of hearing loss, greatest awareness of risk, and highest rates of earplug use. In contrast, brass band musicians demonstrated poor risk awareness and a reluctance to use protective equipment. The authors recommend the education of band musicians and hearing care providers regarding available earplug technology as well as the continued development of earplugs optimized for musicians.
This study surveys non-orchestral musicians playing in pipe, jazz, concert, wind, or brass bands regarding their perceived risk of music-induced hearing damage, rates of self-reported hearing loss, and use of earplugs and acoustic screens while playing in an ensemble. A questionnaire was administered to 257 Australian band musicians and the data were compared to responses obtained previously from 367 orchestral musicians. The results showed that band and orchestral musicians had similar rates of self-reported hearing loss, but band musicians were significantly less likely to perceive risk or to use protective equipment. Among the band types, pipe band musicians had the highest incidence of hearing loss, greatest awareness of risk, and highest rates of earplug use. In contrast, brass band musicians demonstrated poor risk awareness and a reluctance to use protective equipment. The authors recommend the education of band musicians and hearing care providers regarding available earplug technology as well as the continued development of earplugs optimized for musicians.
Authors:
O’Brien, Ian; Beach, Elizabeth
Affiliations:
University of Sydney, Sydney, Australia; National Acoustic Laboratories, Sydney, Australia; The HEARing CRC, Melbourne, Australia(See document for exact affiliation information.) JAES Volume 64 Issue 3 pp. 132-137; March 2016
Publication Date:
March 10, 2016Import into BibTeX
Permalink:
http://www.aes.org/e-lib/browse.cfm?elib=18124