Comparative Evaluation of Radio and Audio Logo Sound Designs
×
Cite This
Citation & Abstract
IA. PE. McGregor, and S. Cunningham, "Comparative Evaluation of Radio and Audio Logo Sound Designs," J. Audio Eng. Soc., vol. 63, no. 11, pp. 876-888, (2015 November.). doi: https://doi.org/10.17743/jaes.2015.0076
IA. PE. McGregor, and S. Cunningham, "Comparative Evaluation of Radio and Audio Logo Sound Designs," J. Audio Eng. Soc., vol. 63 Issue 11 pp. 876-888, (2015 November.). doi: https://doi.org/10.17743/jaes.2015.0076
Abstract: This study aims to explore the suitability of capturing designers’ and listeners’ experiences of sound design for a radio drama and audio logos using the repertory grid technique, which is a proven method of information elicitation based on Personal Construct Theory. Sound designs that incorporate sound effects, music, or dialogue can be broken down into discrete sound events that can then be rated using attributes that are meaningful to both designers and listeners. A method for evaluating sound without training casual listeners and without depending on expert listeners is presented. A number of the constructs show strong matches between the sound’s designers and listeners, indicating that these constructs have value as a common vocabulary and can be used to mediate and articulate audio features between the two.
@article{mcgregor2015comparative,
author={mcgregor, iain peter and cunningham, stuart},
journal={journal of the audio engineering society},
title={comparative evaluation of radio and audio logo sound designs},
year={2015},
volume={63},
number={11},
pages={876-888},
doi={https://doi.org/10.17743/jaes.2015.0076},
month={november},}
@article{mcgregor2015comparative,
author={mcgregor, iain peter and cunningham, stuart},
journal={journal of the audio engineering society},
title={comparative evaluation of radio and audio logo sound designs},
year={2015},
volume={63},
number={11},
pages={876-888},
doi={https://doi.org/10.17743/jaes.2015.0076},
month={november},
abstract={this study aims to explore the suitability of capturing designers’ and listeners’ experiences of sound design for a radio drama and audio logos using the repertory grid technique, which is a proven method of information elicitation based on personal construct theory. sound designs that incorporate sound effects, music, or dialogue can be broken down into discrete sound events that can then be rated using attributes that are meaningful to both designers and listeners. a method for evaluating sound without training casual listeners and without depending on expert listeners is presented. a number of the constructs show strong matches between the sound’s designers and listeners, indicating that these constructs have value as a common vocabulary and can be used to mediate and articulate audio features between the two.},}
TY - paper
TI - Comparative Evaluation of Radio and Audio Logo Sound Designs
SP - 876
EP - 888
AU - McGregor, Iain Peter
AU - Cunningham, Stuart
PY - 2015
JO - Journal of the Audio Engineering Society
IS - 11
VO - 63
VL - 63
Y1 - November 2015
TY - paper
TI - Comparative Evaluation of Radio and Audio Logo Sound Designs
SP - 876
EP - 888
AU - McGregor, Iain Peter
AU - Cunningham, Stuart
PY - 2015
JO - Journal of the Audio Engineering Society
IS - 11
VO - 63
VL - 63
Y1 - November 2015
AB - This study aims to explore the suitability of capturing designers’ and listeners’ experiences of sound design for a radio drama and audio logos using the repertory grid technique, which is a proven method of information elicitation based on Personal Construct Theory. Sound designs that incorporate sound effects, music, or dialogue can be broken down into discrete sound events that can then be rated using attributes that are meaningful to both designers and listeners. A method for evaluating sound without training casual listeners and without depending on expert listeners is presented. A number of the constructs show strong matches between the sound’s designers and listeners, indicating that these constructs have value as a common vocabulary and can be used to mediate and articulate audio features between the two.
This study aims to explore the suitability of capturing designers’ and listeners’ experiences of sound design for a radio drama and audio logos using the repertory grid technique, which is a proven method of information elicitation based on Personal Construct Theory. Sound designs that incorporate sound effects, music, or dialogue can be broken down into discrete sound events that can then be rated using attributes that are meaningful to both designers and listeners. A method for evaluating sound without training casual listeners and without depending on expert listeners is presented. A number of the constructs show strong matches between the sound’s designers and listeners, indicating that these constructs have value as a common vocabulary and can be used to mediate and articulate audio features between the two.
Authors:
McGregor, Iain Peter; Cunningham, Stuart
Affiliations:
Edinburgh Napier University, Edinburgh, Scotland; Glyndwr University, Wrexham, Wales(See document for exact affiliation information.) JAES Volume 63 Issue 11 pp. 876-888; November 2015
Publication Date:
December 3, 2015Import into BibTeX
Permalink:
http://www.aes.org/e-lib/browse.cfm?elib=18048