B. Stuart, "Sound Board: High-Resolution Audio," J. Audio Eng. Soc., vol. 63, no. 10, pp. 831-832, (2015 October.). doi:
B. Stuart, "Sound Board: High-Resolution Audio," J. Audio Eng. Soc., vol. 63 Issue 10 pp. 831-832, (2015 October.). doi:
Abstract: [Feature] In audio, high-resolution sound should be natural, resembling real life and many of the terms we use to qualify it, such as clarity, focus, transparency, and definition are borrowed from vision. If sound is natural, objects should have clear locations (position and distance) and separate readily into perceptual streams, particularly where environmental reverberation causes multiple arrivals closely separated in time—temporal resolution of microstructure in sound being analogous to spatial resolution in vision.
@article{stuart2015sound,
author={stuart, bob},
journal={journal of the audio engineering society},
title={sound board: high-resolution audio},
year={2015},
volume={63},
number={10},
pages={831-832},
doi={},
month={october},}
@article{stuart2015sound,
author={stuart, bob},
journal={journal of the audio engineering society},
title={sound board: high-resolution audio},
year={2015},
volume={63},
number={10},
pages={831-832},
doi={},
month={october},
abstract={[feature] in audio, high-resolution sound should be natural, resembling real life and many of the terms we use to qualify it, such as clarity, focus, transparency, and definition are borrowed from vision. if sound is natural, objects should have clear locations (position and distance) and separate readily into perceptual streams, particularly where environmental reverberation causes multiple arrivals closely separated in time—temporal resolution of microstructure in sound being analogous to spatial resolution in vision.},}
TY - feature
TI - Sound Board: High-Resolution Audio
SP - 831
EP - 832
AU - Stuart, Bob
PY - 2015
JO - Journal of the Audio Engineering Society
IS - 10
VO - 63
VL - 63
Y1 - October 2015
TY - feature
TI - Sound Board: High-Resolution Audio
SP - 831
EP - 832
AU - Stuart, Bob
PY - 2015
JO - Journal of the Audio Engineering Society
IS - 10
VO - 63
VL - 63
Y1 - October 2015
AB - [Feature] In audio, high-resolution sound should be natural, resembling real life and many of the terms we use to qualify it, such as clarity, focus, transparency, and definition are borrowed from vision. If sound is natural, objects should have clear locations (position and distance) and separate readily into perceptual streams, particularly where environmental reverberation causes multiple arrivals closely separated in time—temporal resolution of microstructure in sound being analogous to spatial resolution in vision.
[Feature] In audio, high-resolution sound should be natural, resembling real life and many of the terms we use to qualify it, such as clarity, focus, transparency, and definition are borrowed from vision. If sound is natural, objects should have clear locations (position and distance) and separate readily into perceptual streams, particularly where environmental reverberation causes multiple arrivals closely separated in time—temporal resolution of microstructure in sound being analogous to spatial resolution in vision.
