Sound Board: Food for Thought, Aesthetics in Orchestra Recording
×
Cite This
Citation & Abstract
R. King, "Sound Board: Food for Thought, Aesthetics in Orchestra Recording," J. Audio Eng. Soc., vol. 63, no. 4, pp. 303-304, (2015 April.). doi:
R. King, "Sound Board: Food for Thought, Aesthetics in Orchestra Recording," J. Audio Eng. Soc., vol. 63 Issue 4 pp. 303-304, (2015 April.). doi:
Abstract: [Feature] Although there are many ways to approach classical music recording and mixing, it is the end result that is truly important—a mostly accurate capture of a large ensemble that generates a compelling listening experience. I say “mostly accurate,” as in certain cases we may be trying to present an enhanced experience, with a “larger than life” presentation. Extra-low-frequency content, a wider perspective, more reverb, and clarity in low-level details and slightly exaggerated solo balances are all important areas of attention in modern recording. This stems from the very practical problem of trying to capture the experience of listening to a full orchestra in a great hall and then reproduce it over medium-quality loudspeakers or a pair of inexpensive headphones.
@article{king2015sound,
author={king, richard},
journal={journal of the audio engineering society},
title={sound board: food for thought, aesthetics in orchestra recording},
year={2015},
volume={63},
number={4},
pages={303-304},
doi={},
month={april},}
@article{king2015sound,
author={king, richard},
journal={journal of the audio engineering society},
title={sound board: food for thought, aesthetics in orchestra recording},
year={2015},
volume={63},
number={4},
pages={303-304},
doi={},
month={april},
abstract={[feature] although there are many ways to approach classical music recording and mixing, it is the end result that is truly important—a mostly accurate capture of a large ensemble that generates a compelling listening experience. i say “mostly accurate,” as in certain cases we may be trying to present an enhanced experience, with a “larger than life” presentation. extra-low-frequency content, a wider perspective, more reverb, and clarity in low-level details and slightly exaggerated solo balances are all important areas of attention in modern recording. this stems from the very practical problem of trying to capture the experience of listening to a full orchestra in a great hall and then reproduce it over medium-quality loudspeakers or a pair of inexpensive headphones.},}
TY - feature
TI - Sound Board: Food for Thought, Aesthetics in Orchestra Recording
SP - 303
EP - 304
AU - King, Richard
PY - 2015
JO - Journal of the Audio Engineering Society
IS - 4
VO - 63
VL - 63
Y1 - April 2015
TY - feature
TI - Sound Board: Food for Thought, Aesthetics in Orchestra Recording
SP - 303
EP - 304
AU - King, Richard
PY - 2015
JO - Journal of the Audio Engineering Society
IS - 4
VO - 63
VL - 63
Y1 - April 2015
AB - [Feature] Although there are many ways to approach classical music recording and mixing, it is the end result that is truly important—a mostly accurate capture of a large ensemble that generates a compelling listening experience. I say “mostly accurate,” as in certain cases we may be trying to present an enhanced experience, with a “larger than life” presentation. Extra-low-frequency content, a wider perspective, more reverb, and clarity in low-level details and slightly exaggerated solo balances are all important areas of attention in modern recording. This stems from the very practical problem of trying to capture the experience of listening to a full orchestra in a great hall and then reproduce it over medium-quality loudspeakers or a pair of inexpensive headphones.
[Feature] Although there are many ways to approach classical music recording and mixing, it is the end result that is truly important—a mostly accurate capture of a large ensemble that generates a compelling listening experience. I say “mostly accurate,” as in certain cases we may be trying to present an enhanced experience, with a “larger than life” presentation. Extra-low-frequency content, a wider perspective, more reverb, and clarity in low-level details and slightly exaggerated solo balances are all important areas of attention in modern recording. This stems from the very practical problem of trying to capture the experience of listening to a full orchestra in a great hall and then reproduce it over medium-quality loudspeakers or a pair of inexpensive headphones.
