EspGrid: A Protocol for Participatory Electronic Ensemble Performance
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D. Ogborn, "EspGrid: A Protocol for Participatory Electronic Ensemble Performance," Engineering Brief 70, (2012 October.). doi:
D. Ogborn, "EspGrid: A Protocol for Participatory Electronic Ensemble Performance," Engineering Brief 70, (2012 October.). doi:
Abstract: EspGrid is a protocol developed to streamline the sharing of timing, code, audio, and video in participatory electronic ensembles, such as laptop orchestras. An application implementing the protocol runs on every machine in the ensemble, and a series of “thin” helper objects connect the shared data to the diverse languages that live electronic musicians use during performance (Max, ChucK, SuperCollider, PD, etc.). The protocol/application has been developed and tested in the busy rehearsal and performance environment of McMaster University’s Cybernetic Orchestra, during the project “Scalable, Collective Traditions of Electronic Sound Performance” supported by Canada’s Social Sciences and Humanities Research Council (SSHRC), and the Arts Research Board of McMaster University.
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author={ogborn, david},
journal={journal of the audio engineering society},
title={espgrid: a protocol for participatory electronic ensemble performance},
year={2012},
volume={},
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pages={},
doi={},
month={october},}
@article{ogborn2012espgrid:,
author={ogborn, david},
journal={journal of the audio engineering society},
title={espgrid: a protocol for participatory electronic ensemble performance},
year={2012},
volume={},
number={},
pages={},
doi={},
month={october},
abstract={espgrid is a protocol developed to streamline the sharing of timing, code, audio, and video in participatory electronic ensembles, such as laptop orchestras. an application implementing the protocol runs on every machine in the ensemble, and a series of “thin” helper objects connect the shared data to the diverse languages that live electronic musicians use during performance (max, chuck, supercollider, pd, etc.). the protocol/application has been developed and tested in the busy rehearsal and performance environment of mcmaster university’s cybernetic orchestra, during the project “scalable, collective traditions of electronic sound performance” supported by canada’s social sciences and humanities research council (sshrc), and the arts research board of mcmaster university.},}
TY - paper
TI - EspGrid: A Protocol for Participatory Electronic Ensemble Performance
SP -
EP -
AU - Ogborn, David
PY - 2012
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - October 2012
TY - paper
TI - EspGrid: A Protocol for Participatory Electronic Ensemble Performance
SP -
EP -
AU - Ogborn, David
PY - 2012
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - October 2012
AB - EspGrid is a protocol developed to streamline the sharing of timing, code, audio, and video in participatory electronic ensembles, such as laptop orchestras. An application implementing the protocol runs on every machine in the ensemble, and a series of “thin” helper objects connect the shared data to the diverse languages that live electronic musicians use during performance (Max, ChucK, SuperCollider, PD, etc.). The protocol/application has been developed and tested in the busy rehearsal and performance environment of McMaster University’s Cybernetic Orchestra, during the project “Scalable, Collective Traditions of Electronic Sound Performance” supported by Canada’s Social Sciences and Humanities Research Council (SSHRC), and the Arts Research Board of McMaster University.
EspGrid is a protocol developed to streamline the sharing of timing, code, audio, and video in participatory electronic ensembles, such as laptop orchestras. An application implementing the protocol runs on every machine in the ensemble, and a series of “thin” helper objects connect the shared data to the diverse languages that live electronic musicians use during performance (Max, ChucK, SuperCollider, PD, etc.). The protocol/application has been developed and tested in the busy rehearsal and performance environment of McMaster University’s Cybernetic Orchestra, during the project “Scalable, Collective Traditions of Electronic Sound Performance” supported by Canada’s Social Sciences and Humanities Research Council (SSHRC), and the Arts Research Board of McMaster University.
Open Access
Author:
Ogborn, David
Affiliation:
McMaster University
AES Convention:
133 (October 2012)eBrief:70
Publication Date:
October 26, 2012Import into BibTeX
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http://www.aes.org/e-lib/browse.cfm?elib=16625
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