Recording Electric Guitar—The Science and the Myth
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A. Case, "Recording Electric Guitar—The Science and the Myth," J. Audio Eng. Soc., vol. 58, no. 1/2, pp. 80-83, (2010 January.). doi:
A. Case, "Recording Electric Guitar—The Science and the Myth," J. Audio Eng. Soc., vol. 58 Issue 1/2 pp. 80-83, (2010 January.). doi:
Abstract: [Feature] Electric guitar tone, you know it’s right when you hear it. How is it achieved? The typical starting approach at the guitar amp: Shure SM57 microphone, slightly off center of one of the cones of a driver, up close and almost touching the grille cloth. Oh, and angle the microphone a little. Ask veteran engineers why this microphone placement strategy is so common and a range of justifications follows, from seemingly scientific explanations, to vague guesses, to an honest, “I have no idea. I’ve always done it that way. Everyone does.”
@article{case2010recording,
author={case, alex},
journal={journal of the audio engineering society},
title={recording electric guitar—the science and the myth},
year={2010},
volume={58},
number={1/2},
pages={80-83},
doi={},
month={january},}
@article{case2010recording,
author={case, alex},
journal={journal of the audio engineering society},
title={recording electric guitar—the science and the myth},
year={2010},
volume={58},
number={1/2},
pages={80-83},
doi={},
month={january},
abstract={[feature] electric guitar tone, you know it’s right when you hear it. how is it achieved? the typical starting approach at the guitar amp: shure sm57 microphone, slightly off center of one of the cones of a driver, up close and almost touching the grille cloth. oh, and angle the microphone a little. ask veteran engineers why this microphone placement strategy is so common and a range of justifications follows, from seemingly scientific explanations, to vague guesses, to an honest, “i have no idea. i’ve always done it that way. everyone does.”},}
TY - feature
TI - Recording Electric Guitar—The Science and the Myth
SP - 80
EP - 83
AU - Case, Alex
PY - 2010
JO - Journal of the Audio Engineering Society
IS - 1/2
VO - 58
VL - 58
Y1 - January 2010
TY - feature
TI - Recording Electric Guitar—The Science and the Myth
SP - 80
EP - 83
AU - Case, Alex
PY - 2010
JO - Journal of the Audio Engineering Society
IS - 1/2
VO - 58
VL - 58
Y1 - January 2010
AB - [Feature] Electric guitar tone, you know it’s right when you hear it. How is it achieved? The typical starting approach at the guitar amp: Shure SM57 microphone, slightly off center of one of the cones of a driver, up close and almost touching the grille cloth. Oh, and angle the microphone a little. Ask veteran engineers why this microphone placement strategy is so common and a range of justifications follows, from seemingly scientific explanations, to vague guesses, to an honest, “I have no idea. I’ve always done it that way. Everyone does.”
[Feature] Electric guitar tone, you know it’s right when you hear it. How is it achieved? The typical starting approach at the guitar amp: Shure SM57 microphone, slightly off center of one of the cones of a driver, up close and almost touching the grille cloth. Oh, and angle the microphone a little. Ask veteran engineers why this microphone placement strategy is so common and a range of justifications follows, from seemingly scientific explanations, to vague guesses, to an honest, “I have no idea. I’ve always done it that way. Everyone does.”
