An Initial Validation of Individualized Crosstalk Cancellation Filters for Binaural Perceptual Experiments
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AL. H.. Moore, AN. I.. Tew, and R. Nicol, "An Initial Validation of Individualized Crosstalk Cancellation Filters for Binaural Perceptual Experiments," J. Audio Eng. Soc., vol. 58, no. 1/2, pp. 36-45, (2010 January.). doi:
AL. H.. Moore, AN. I.. Tew, and R. Nicol, "An Initial Validation of Individualized Crosstalk Cancellation Filters for Binaural Perceptual Experiments," J. Audio Eng. Soc., vol. 58 Issue 1/2 pp. 36-45, (2010 January.). doi:
Abstract: Delivering binaural stimuli with loudspeakers through crosstalk filters avoids the intrinsic artifacts of using headphones in localization experiments. However, one must first demonstrate that such a system is equivalent to that of a real soundfield. This study demonstrates that listeners did not perceive any meaningful difference between a real sound source at 0 degrees and a virtual rendering using crosstalk cancellation from a pair of loudspeakers at ±90 degrees. Three different stimuli were used: single bursts of wideband noise, click trains, and repeated harmonic pulses. Listeners could not discriminate between the two cases using a forced-choice paradigm.
@article{moore2010an,
author={moore, alastair h. and tew, anthony i. and nicol, rozenn},
journal={journal of the audio engineering society},
title={an initial validation of individualized crosstalk cancellation filters for binaural perceptual experiments},
year={2010},
volume={58},
number={1/2},
pages={36-45},
doi={},
month={january},}
@article{moore2010an,
author={moore, alastair h. and tew, anthony i. and nicol, rozenn},
journal={journal of the audio engineering society},
title={an initial validation of individualized crosstalk cancellation filters for binaural perceptual experiments},
year={2010},
volume={58},
number={1/2},
pages={36-45},
doi={},
month={january},
abstract={delivering binaural stimuli with loudspeakers through crosstalk filters avoids the intrinsic artifacts of using headphones in localization experiments. however, one must first demonstrate that such a system is equivalent to that of a real soundfield. this study demonstrates that listeners did not perceive any meaningful difference between a real sound source at 0 degrees and a virtual rendering using crosstalk cancellation from a pair of loudspeakers at ±90 degrees. three different stimuli were used: single bursts of wideband noise, click trains, and repeated harmonic pulses. listeners could not discriminate between the two cases using a forced-choice paradigm.},}
TY - report
TI - An Initial Validation of Individualized Crosstalk Cancellation Filters for Binaural Perceptual Experiments
SP - 36
EP - 45
AU - Moore, Alastair H.
AU - Tew, Anthony I.
AU - Nicol, Rozenn
PY - 2010
JO - Journal of the Audio Engineering Society
IS - 1/2
VO - 58
VL - 58
Y1 - January 2010
TY - report
TI - An Initial Validation of Individualized Crosstalk Cancellation Filters for Binaural Perceptual Experiments
SP - 36
EP - 45
AU - Moore, Alastair H.
AU - Tew, Anthony I.
AU - Nicol, Rozenn
PY - 2010
JO - Journal of the Audio Engineering Society
IS - 1/2
VO - 58
VL - 58
Y1 - January 2010
AB - Delivering binaural stimuli with loudspeakers through crosstalk filters avoids the intrinsic artifacts of using headphones in localization experiments. However, one must first demonstrate that such a system is equivalent to that of a real soundfield. This study demonstrates that listeners did not perceive any meaningful difference between a real sound source at 0 degrees and a virtual rendering using crosstalk cancellation from a pair of loudspeakers at ±90 degrees. Three different stimuli were used: single bursts of wideband noise, click trains, and repeated harmonic pulses. Listeners could not discriminate between the two cases using a forced-choice paradigm.
Delivering binaural stimuli with loudspeakers through crosstalk filters avoids the intrinsic artifacts of using headphones in localization experiments. However, one must first demonstrate that such a system is equivalent to that of a real soundfield. This study demonstrates that listeners did not perceive any meaningful difference between a real sound source at 0 degrees and a virtual rendering using crosstalk cancellation from a pair of loudspeakers at ±90 degrees. Three different stimuli were used: single bursts of wideband noise, click trains, and repeated harmonic pulses. Listeners could not discriminate between the two cases using a forced-choice paradigm.
Authors:
Moore, Alastair H.; Tew, Anthony I.; Nicol, Rozenn
Affiliations:
Audio Lab, Department of Electronics, University of York, UK; France Telecom R & D, Lannion, France(See document for exact affiliation information.) JAES Volume 58 Issue 1/2 pp. 36-45; January 2010
Publication Date:
February 12, 2010Import into BibTeX
Permalink:
http://www.aes.org/e-lib/browse.cfm?elib=15240