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Dynamic Range Controller Ear Training: Transfer of Learned Skills to a Related Task

 

Latency and Quality-of-Experience Analysis of a Networked Music Performance Framework for Realistic Interaction

 

“We’ll Feel That in Post”: Altering Emotional Perception With Different Piano Presentations In the Context of Lyrics

 

Geometrical Acoustics Approach to Cross Talk Cancellation

 

Reduction of 3D Ambisonic to 2D using plane-wave decomposition

 

Multi-diaphragm Micro-speaker vs. Single-diaphragm Micro-speaker

 

Spectral and spatial perceptions of comb-filtering for sound reinforcement applications.

 

Ambisonic Decoder Test Methodologies based on Loudspeaker Reproduction

 

Twang! A physically derived synthesis model for the sound of a vibrating bar

 

Velocity-Contolled Parameter Switching for Echo Cancellation in Immersive Telepresence with Continuously Changing Microphone Positions

 

MMAD – Designing for Height – Practical Configurations

 

Survey of User Perspectives on Headphone Technology

 

Controlling the Balance Between Early and Late Reflections of an Impulse Response Using the Modal Decomposition Paradigm

 

MP3 compression classification through audio analysis statistics

 

Bitrate Requirements for Opus with First, Second and Third Order Ambisonics reproduced in 5.1 and 7.1.4

 

Localization of Direct Source and Early Reflections Using HOA Processing and DNN Model

 

Towards the Global Standard for Safe Listening Venues and Events

 

Conversational Speech Separation: an Evaluation Study for Streaming Applications

 

Recording Arts and Studio Engineering for High-fidelity Multitrack Network Music Production

 

Comparison of Audio Quality of Teleconferencing Applications Using Subjective Test

 

Ocean Wave Sound Synthesis and Perceptual Evaluation

 

On the Specification of Threshold Limits in Speech Transmission Index Assessment of Distributed Sound Systems

 

Influence of the spider on loudspeaker thermal behavior: a predictive model based on lumped parameters

 

Multi-Input Architecture and Disentangled Representation Learning for Multi-Dimensional Modeling of Music Similarity

 

Acoustic Design Review for the Historical Aula Magna at the University of Parma. Measurement and Simulation Tools to Predict the Amount of Absorption to be in Place.

 

Classifying Sounds in Polyphonic Urban Sound Scenes

 

Perceptual optimization of hybrid stereo width control method compared with loudspeakers reproduction

 

The Inaudible World: Measuring Sounds Perceived by Non-Human Life

 

Simulation-Based Acoustic Design for a Modern Urban Church Sanctuary

 

Advances in Thunder Sound Synthesis

 

Acquisition of Continuous-Distance Near-Field Head-Related Transfer Functions on KEMAR Using Adaptive Filtering

 

An End-to-End Binaural Sound Localization Model Based on the Equalization and Cancellation Theory

 

UP-WGAN: Upscaling Ambisonic Sound Scenes Using Wasserstein Generative Adversarial Networks

 

Low Complexity Methods for Robust Stereo-to-Mono Down-mixing

 

The Performance of A Personal Sound Zone System with Generic and Individualized Binaural Room Transfer Functions

 

Assessing the relevance of perceptually driven objective metrics in the presence of handling noise

 

Comparison of Stereo Microphone Configuration and Playback Modes of Optimal Source Distribution Technique

 

Spatial extrapolation of early room impulse responses with source radiation model based on equivalent source method

 

Neural Synthesis of Footsteps Sound Effects with Generative Adversarial Networks

 

Localization of auditory events in scenarios with lateral, projected sound sources and frontal, attenuated direct sound

 

Synthesis of Wind Instruments using BiLSTM and Gaussian Mixture Model

 

On Loudspeakers as Recording Devices

 

Overall listening experience for binaurally reproduced audio

 

Capturing Spatial Room Information for Reproduction in XR Listening Environments

 

Circular harmonic processing with an ad-hoc smartphone array for speech enhancement

 

Moved By Sound: How head-tracked spatial audio affects autonomic emotional state and immersion-driven auditory orienting response in VR Environments

 

A citizen science approach to support joint air quality and noise monitoring in urban areas

 

On the use of integral input devices and relative mappings for an immersive audio mixing task. Part I.

 

Disentangled estimation of reverberation parameters using temporal convolutional networks

 

Sensory evaluation of spatially dynamic audiovisual soundscenes: a review

 

An Improved Approach for Binaural Room Impulse Responses Interpolation in Real Environments

 

Efficient neural networks for real-time modeling of analog dynamic range compression

 

Design and implementation of a flexible and low-budget acoustic treatment for a reference listening room

 

The next generation of audio accessibility

 

Effect of spatial audio processing on attention redirection and speech intelligibility in multi-talker communication

 

All-Pass Hilbert Filters

 

Spatially Dynamic Sound Quality Evaluation: A Literature Study

 

Temporal Evaluation of Sound Quality using TCATA

 

Integrated Architectural and Acoustical Design of Media Recording Studios

 

Discriminability of concurrent virtual and real sound sources in an augmented audio scenario

 

Mixing for in-ear monitors: understanding the work of monitor mixing engineers

 

Production Approaches, Loudspeaker Configurations, and Signal Processing Architectures for Live Virtual Acoustic Performance

 

Watching on the Small Screen: The Relationship Between the Perception of Audio and Video Resolutions

 

Plausibility of an approaching motion towards a virtual sound source II: In a reverberant seminar room

 

Study of the audibility of background music in TV programs: towards a normative proposal

 

Degradation in reproduction accuracy due to sound scattered by listener's head in local sound field synthesis

 

An open dataset of measured HRTFs perturbed by headphones

 

Time-Frequency Adaptive Room Optimization of Audio Signals

 

Application of the Multi-Objective Optimisation Framework to the Creation of Personal Sound Zone