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Preferred Sound Level for Concert Listeners and Correlations between Sound Quality Dimensions

 

Evaluation of a Novel Approach to Virtual Bass Synthesis Strategy

 

Analogue Hearts, Digital Minds? An Investigation into Perceptions of the Audio Quality of Vinyl

 

Differences between Recorded and Emulated Guitar Sounds

 

Toward the Development of a Universal Listening Test Interface Generator in Max

 

Multidimensional Ability Evaluation of Participants of Listening Tests: Part II

 

Database of Single-Channel and Binaural Room Impulse Responses of a 64-Channel Loudspeaker Array

 

HAART: A New Impulse Response Toolbox for Spatial Audio Research

 

Comparing Room Acoustics for the Performance of Wagners‘ Lohengrin

 

Progress in Power Amplifiers: Thermal Distortion

 

Immersive Sound Design Using Particle Systems

 

Examining Influence of Distance to Microphone on Accuracy of Speech Recognition

 

Investigating the Sound Quality Lexicon of Analogue Compression Using Category Analysis

 

Exploratory Microphone Techniques for Three-Dimensional Classical Music Recording

 

Automated (Microcontroller-Based) Impedance Tube

 

Analysis of DML Sound Reinforcement Systems Behavior in Large Concert Halls

 

Production and Reproduction of Program Material for a Variety of Spatial Audio Formats

 

Low Frequency Performance of Circular Loudspeaker Arrays

 

An Exploratory Evaluation of User Interfaces for 3D Audio Mixing