AES E-Library

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Cochair's Greeting

Audio Coding in Digital Broadcasting

Streaming-Audio@Internet: Perspectives for the Broadcasters

DVD-Audio Specifications

Dolby Digital: Audio Coding for Digital Television and Storage Applications

The MLP Lossless Compression System

DTS Multi-Channel 96 kHz Audio Compression

The Design of a Video Friendly Audio Coding System for Distribution Applications

MP3 and AAC Explained

MPEG-4 Intellectual Property Management & Protection (IPMP) Overview & Applications

AESSC SC-06-04-Activities on Digital Music Distribution

SDMI: Creating a Marketplace for Secure Digital Music

Filter Banks in Perceptual Audio Coding

MPEG-4 Speech Coding

The MPEG-4 General Audio Coder

An Overview of MPEG-4 Audio Version 2

Application of a Physiological Ear Model to Irrelevance Reduction in Audio Coding

Audio Coding with Auditory Time-Frequency Noise Shaping and Irrelevancy Reducing Vector Quantization

Generalized Audio Coding with MPEG-4 Structured Audio

Warped Low-Delay CELP for Wideband Audio Coding

Exploiting Excess Masking for Audio Compression

Audio Coding Based on Rate-Distortion and Perceptual Optimization Techniques

Sinusoids Plus Noise Modelling for Audio Signals

Advanced Perceptual Digital Audio Coding Algorithm

High-Quality Consistent Analysis-Synthesis in Sinusoidal Coding

Developments with a Zerotree Audio Codec

The Perceptual Audio Coding Concept: From Speech to High-Quality Audio Coding

An Audio Codec for Multiple Generations Compression Without Loss of Perceptual Quality

Improving Lossless Audio Coding

Higher Order Statistical Estimation of Sinusoidality with Applications for Quality Coding of Musical Instruments

Temporal Noise Shaping, Qualtization and Coding Methods in Perceptual Audio Coding: A Tutorial Introduction

Subjective Evaluation of Large and Small Impairments in Audio Codecs

Perceptual Quality Assessment for Digital Audio: PEAQ-The New ITU Standard for Objective Measurement of the Perceived Audio Quality