In This Section
Technical Committees
- Acoustics and Sound Reinforcement
- Advisory Group on Regulations
- Archiving Restoration and Digital Libraries
- Audio for Games
- Audio for Telecommunications
- Audio Forensics
- Audio Recording and Mastering Systems
- Automotive Audio
- Coding of Audio Signals
- Electro Magnetic Compatibility
- Fiber Optics for Audio
- Hearing and Hearing Loss Prevention
- High Resolution Audio
- Human Factors in Audio Systems
- Loudspeakers and Headphones
- Microphones and Applications
- Network Audio Systems
- Perception and Subjective Evaluation of Audio Signals
- Semantic Audio Analysis
- Signal Processing
- Sound for Digital Cinema and Television
- Spatial Audio
- Studio Practices and Production
- Transmission and Broadcasting
AES White Paper: Networking Audio and Music Using Internet2 and Next-Generation Internet Capabilities
Robin Bargar, University of Illinois
Steve Church, Telos Systems
Akira Fukuda, NHK Sound
James Grunke, Hotz / MIDI Manufacturers Association
Douglas Keislar, Muscle Fish
Bob Moses, PAVO
Ben Novak, Microsoft
Bruce Pennycook, McGill University
Zack Settel, McGill University
John Strawn, S Systems Inc.
Phil Wiser, Liquid Audio
Wieslaw Woszczyk, McGill University
Executive Summary
The current Internet is inadequate for transmitting music and professional audio. Performance and collaboration across a distance stress beyond acceptable bounds the quality of service. Since audio and music are intrinsic parts of human society, it is important to include them in a new Internet proposal. Audio transmission is anyway an important part of other network-based applications, such as teleconferencing. Audio and music provide test cases in which the bounds of a network are quickly reached and through which the defects in a network are readily perceived.
AES White Paper: Networking Audio and Music Using Internet2 and Next-Generation Internet Capabilities [PDF Document]
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