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Comments on DRAFT AES59-xxxx
Comments to date on DRAFT AES59-xxxx, AES standard for professional audio - Audio application of 25-way D-type connectors in balanced circuits ,
published 2009-12-08 for comment.
Comment received from Graham Hinton, 2009-12-08
One point I disagree with:
"4.1 Connector gender Connectors on free cables shall be male (pin) type."
I would not recommend the use of back to back female-female gender changers. Most such devices are intended for RS232 bodging, not 110 ohm impedance matching. For analogue audio a connecting cable is unidirectional and male to male wired pin for pin. For digital audio the cable is bidirectional (4 pairs each way) and a male to male cable has to be wired with inputs and outputs crossed over. A female to male pin for pin extension cable should not be precluded.
This difference means that digital cables cannot be used for analogue applications and should be distinguished. Even an XLR breakout would be different: either 8 x male or 8 x female for analogue and 4 male + 4 female for digital. There is a confusion about using digital cable for analogue: the cable type is perfectly capable and sometimes cheaper, but a made up loom would be incorrect. I would recommend a standard labelling to identify and distinguish similar looking cable assemblies.
Reply from Ray A. Rayburn, 2010-01-25
Thanks for your comments. You caught something the working group missed. We propose to fix this by making the following editorial changes:
- 4.1; second para; second sentence. Add the words, "Straight-through" before the words "interconnect cables";
- 4.1; new NOTE 2. "Direct digital interconnects between equipment will require a crossover arrangement to connect the transmitter outputs of one connector to the receiver inputs of the other, and vice versa."
By keeping the changes on the level of editorial clarifications rather than a wholesale re-write of the section, we will not have to withdraw and re-issue the document with a new call for comment period.
I hope this change satisfies your concerns.
Thank you for making this a better document.
Sincerely,
Ray A. Rayburn - chair SC-05
Comment received from Graham Hinton, 2009-01-26
I'm quite happy with stating that equipment connectors SHALL be female. (I certainly want to avoid introducing more variables.)
The second sentence and the whole second paragraph are confusing and the original Note is just plain wrong armchair engineering.
So that just leaves one sentence and a new note. Having stated that the equipment is only female it is implicit that the mating cable connector is male. It is not necessary to say anything about the other end of the cable which would be dictated by its application.
As I see it there are:
- Like to like connection cables. These would be male to male, but analogue and digital are wired differently (digital being crossover) so the two are not interchangeable and should be labelled Analogue or Digital on the connector shell
- Extension cables. These would be male to female and (coincidentally) digital 110 ohm cable may be use for analogue, but not vice versa.
- Breakout cables. These would be male D-type to any other audio connector which could be male or female. For the XLR subset analogue and digital are not interchangeable.
- Patch boxes and panels. These would have female D-types. Analogue and digital are not interchangeable. If you connect two digital crossover cables a third crossover is also needed here to give a single crossover overall. [This is what a female to female adapter means, but it needs to be explained so that the back to back types are not assumed.]
I think if would be helpful if the notes discussed the above and gave a rationale and recommended practise. The more variables there are results in confusion and possible damage to equipment due to incorrect use.
The reason I object to the note is that the most likely damage to a D-type will occur when a pair are mated, caused by a knock or the strain of supporting the weight of an audio type multicore (especially with eight mated XLRs on it). Pins may be bent straight, but socket contacts get stretched and become intermittent. This makes equipment vulnerable and possibly a write-off, cheaper to replace than repair. The answer is not in the connector gender, but in supporting the cable properly to prevent damage in the first place and I suggest that the note should recommend the use of cable tie bars, preferably built as part of the equipment.
I think it is important to recommend that all equipment connectors and cables adopting this standard be clearly labelled as "AES59 Analogue" or "AES59 Digital" (or just AES59-A and AES59-D to prevent arguments about spelling) to make it clear that this is NOT prior similar, but incompatible usages. There are over fifteen years worth of Tascam equipment with M2.6 screwlocks and digital equipment with the Yamaha format in the field that are not compatible.
best regards
Graham Hinton
Hinton Instruments
Reply from Ray A. Rayburn, 2010-03-17
Mr. Hinton - You wrote:
"I'm quite happy with stating that equipment connectors SHALL be female. (I certainly want to avoid introducing more variables.) The second sentence and the whole second paragraph are confusing and the original Note is just plain wrong armchair engineering.
"So that just leaves one sentence and a new note.
"Having stated that the equipment is only female it is implicit that the mating cable connector is male. It is not necessary to say anything about the other end of the cable which would be dictated by its application."
It may not have been necessary to state that the cable end connector is male, but it is not incorrect to so state. In the interests of passing a Standard, I don't see any need to change this. The verbs in the second paragraph and Note are both "may" which makes them not a requirement.
You wrote:
"1) Like to like connection cables. These would be male to male, but analogue and digital are wired differently (digital being crossover) so the two are not interchangeable and should be labelled Analogue or Digital on the connector shell"
We had already agreed to add a NOTE 2 under 4.1:
| NOTE 2. Direct digital interconnects between equipment will require a crossover arrangement to connect the transmitter outputs of one connector to the receiver inputs of the other, and vice versa. |
| "This standard specifies a contact assignment and gender for 25-contact D-type connectors used to connect multiple audio signals in balanced analogue or AES3 digital form. This document shall not consider the suitability of connector and cable types for specific applications. This document shall not consider issues of safety." |
| "This standard specifies a contact assignment and gender for 25-contact D-type connectors used to connect multiple audio signals in balanced analogue or AES3 digital form. This document shall not consider the suitability of connector and cable types for specific applications. This document shall not consider issues of safety." |
|
[AES-2id-2006] "The suggested 50-contact D-subminiature type connector shown in figure 7.3 does not preclude the use of any other multi-contact connector that may be better suited to specific applications. If, however, this connector is selected, the contact arrangement shown in table 7.1 should be used to ensure compatible connections between different equipments." |
| "This document shall not consider issues of safety." |






