Welcome to the AES Chicago
next meeting of the Chicago Section of the Audio Engineering
Wednesday, May 21, 2014.
are FREE. Members and non-members are welcome.
Not a member of
the AES? Join and Learn more about the value of membership
Spatial Audio – Reconstructing Reality or Creating Illusion?
Wednesday, May 21, 2014
7:30pm, dinner (optional) at 6:30
Shure Incorporated, 5800 W. Touhy Ave, Niles, IL 60714
About the presentation:
The history of spatial audio is essentially one about the dichotomy between two opposing ideas. There have been those who emphasized the accurate capture and reconstruction of sound fields, and those who simply wanted to make a pleasing and convincing spatial illusion for the listener's entertainment. Just about every position in between these extremes has also been taken at one time or another. The fact remains that with only two loudspeakers it is impossible to reconstruct an accurate sound field, although a large number of perceptually convincing cues can be delivered if the listener is willing to remain fixed in one location. As we move into an era where highly accurate sound field synthesis is possible over a wide listening area, using a large number of loudspeakers, we might expect the gap between the two extremes to be closing. Strangely, however, we find that listeners do not always respond well to the sound quality and spatial characteristics of systems that, on the face of it, ought to come closer to reconstructing accurate sound fields. Listeners can prefer less accurate systems. What is going on here? Could it be that the inherent impossibility of reconstructing accurate sound fields with loudspeakers (because of spatial aliasing, loudspeaker directivity, spacing, room acoustics and other problems) means that even the best approaches will risk creating perceptual results that lie in the "uncanny valley" known in computer animation. This so-called uncanny valley represents a dip in the human cognitive acceptance that leads one to consider as "unnatural" any form of synthetic creation that comes close to being like the "real thing", but does not achieve complete accuracy. We humans suspect things that are almost real (but not quite) of being "weird" or unusual (the zombie, the prosthetic hand). When the artificial reconstruction gets close to the believability threshold, a different group of cognitive responses possibly comes into play. Whereas the limited perceptual cues arising from two-channel stereophony or even 5.1 surround could be accepted by the brain as something far enough from reality to be dismissed as artificial, and thus enjoyed for their own sake, perhaps the more scientifically accurate systems possible today give rise to a different set of human critical faculties that say something like "it sounds like it ought to be real, but something is strange". Perhaps I am wrong, though, and it is simply that the undesirable artifacts or side effects of inadequate sound field reconstruction are simply more unpleasant than those arising from simpler spatial audio systems. Can we cross this complexity threshold successfully, and do we want or need to?
About this month's speaker:
Francis Rumsey is an independent technical writer and consultant, based in the UK. Until 2009 he was Professor and Director of Research at the Institute of Sound Recording, University of Surrey, specializing in sound quality, psychoacoustics, and spatial audio. He is currently chair of the AES Technical Council, Consultant Technical Writer and Editor for the AES Journal. Among his musical activities, he is organist and choirmaster of St. Mary the Virgin Church in Witney, Oxfordshire.
When arriving by car, approach from the east by heading west on Touhy, then turn right into the parking lot just east of the Shure building, which is on the corner of Touhy and Lehigh. DO NOT turn left into parking lot from Touhy heading east, as this is illegal and you may get a traffic ticket. Enter at the employee entrance on the east side of the building and register at the guard desk. A valid driver's license must be presented at the guard desk when registering.
Dinner (optional but please RSVP) will begin at 6:30pm.
Dinner reservation required - contact Giles Davis @ email@example.com by Tuesday, May 20th.
Jimmy John’s sandwiches will be provided. Please let Giles know if you have a preference for no-cheese and/or vegetarian.
Price is $10 for non-members and $8 for members and students.
- MAY 21, 2014 - 7:30 pm:
Francis Rumsey will present ‘Spatial audio – reconstructing reality or creating illusion?’ - at Shure incorporated
Francis Rumsey is an independent technical writer and consultant based in the UK. He is currently chair of the AES Technical Council and a Consultant Technical Writer and Editor for the AES Journal.
Email List to receive the earliest notification of meetings
interested in helping our section by writing a recap (like the
ones under Past Meeting Recaps)
following one of our meetings, please notify an officer. Recap
writers will get a free
AES coffee mug – plus
work will be published on the AES web site and in the Journal of
the Audio Engineering Society! You can't beat press like that!
Meeting Ideas / Openings
If you or someone you know
is making strides in audio, or you have a meeting idea, please
alert any one of the section officers. We are still organizing
programs for this year's presentations and are looking for
The best way to find out about current and
upcoming meetings is our e-mail distribution list.