AES 99th Convention
Jacob Javits Convention Center New York, NY, USA 1995 October 6-9 |
Single Convention Preprints are available through the AES Preprint Search and Shop facility.
Preprints Listing
#4047
Thomas P. Barnell III and Craig H. Richardson
The Discrete-Time Wavelet Transformation and Audio Coding#4048
Panos E. Kudumakis and Mark B. Sandler
Wavelets, Regularity, Complexity, and MPEG-Audio#4049
Thomas Miley
Introduction to Sound Drivers for Multimedia Applications#4050
Mark Steven Miller
Interactive Audio: (The Beginnings of) A Blueprint for Functionality#4051
W. Edward Price
Audio in Multimedia Survey of Projects at the Georgia Institute of Technology's Interactive Media Technology Center, 1989-1995#4052
Michael A. Casey, William G. Gardner, and Sumit Basu
Vision Steered Beam-Forming and Transaural Rendering for the Artificial Life Interactive Video Environment (ALIVE)#4053
David A. Rich and Peter Aczel
Topological Analysis of Consumer Audio Electronics: Another Approach to Show that Modern Audio Electronics Are Acoustically Transparent#4054
Fred Floru
Attack and Release Time Constants in RMS-Based Compressors and Limiters#4055
Gary K. Hebert
An Improved Monolithic Voltage-Controlled Amplifier#4056
Juergen Wahl
Taking the Mystery Out of Microphone Behavior#4057
Richard Foss and Thabo Mosala
Routing MIDI Messages Over Ethernet#4058
Bruce Pennycook
Audio and MIDI Markup Tools for the World Wide Web#4059
Kees A. Schouhamer Immink
MultiMedia Compact Disc: Channel Coding and System Requirements#4060
David L. Smith
Discrete Element Line Arrays (Everything There Is To Know About�)#4061
Mark S. Ureda
Amplitude and Signal Delay Shading of Vertical Horn Arrays#4062
Alexander Voishvillo and Maxim Olyushin
Computer Modeling of Air Distortion in Compression Chamber of Horn Drivers with Centrally Supported Diaphragm#4063
Joseph F. Hayes
The Expansion of Electronic Signals Back into Acoustic Space: An Introduction to FSS#4064
G. Dimino and G. Parladori
Entropy Reduction in High-Quality Audio Coding#4065
Theodore Grusec, Louis Thibault, and Gilbert Soulodre
Subjective Evaluation of High-Quality Audio Coding Systems: Methods and Results in the Two-Channel Case#4066
David G. Kirby
ISO/MPEG Subjective Tests on Multichannel Audio Systems#4067
Christer Grewin
Can Objective Methods Replace Subjective Assessments?#4068
Ronald G. Ajemian
Fiber Optics for Professional Audio#4069
John McCarthy and John Stewart
Producing Radio Drama Using Networked Digital Audio Workstations#4070
Markus Erne
Combining MPEG, PCMCIA, ISDN, and GPS for Professional Audio Applications#4071
Elizabeth Cohen and John Eargle
Audio in a 5.1-Channel Environment#4072
John Mosely
A Multiformat Transportable Recording System#4073
Robert D. Predovich
ION: A Studio Operating Environment#4074
V. C. Georgopoulos and D. Preis
A Comparison of Computational Methods for Instantaneous Frequency and Group Delay of Discrete-Time Signals#4075
D. Preis, Vo Van Toi, and H. Sobie
The Complex Modulation Transfer Function of Duffing's Equation#4076
Bozena Kostek
Feature Extraction Methods for the Intelligent Processing of Musical Signals#4077
Vladimir Soutchiline
On Audio Noise Likeness-Index Evaluation#4078
Andrzej Czyzewski
New Learning Algorithms for the Processing of Old Audio Recordings#4079
Edgar Villchur
Signal Processing to Improve Speech Intelligibility for the Hearing Impaired (Especially in Noise)#4080
Derek F. Bowers and James K. Waller, Jr.
A Single-Ended Noise Reduction System for Automotive Audio Applications#4081
David Clark
Precision Measurement of Loudspeaker Parameters#4082
Erling Sandermann Olsen and Knud Thorborg
Diaphragm Area and Mass Nonlinearities of Cone Loudspeakers#4083
Wolfgang Klippel
Nonlinear System Models for Horn Loudspeakers#4084
Wolfgang Klippel
Parameter Measurement and Identification of the Nonlinear System Structure on Horn Loudspeakers#4085
Alexander Voishvillo and Victor Mazin
Finite-Element Method of Modeling of Eddy Currents and Their Influence on Nonlinear Distortion in Electrodynamic Loudspeakers#4086
Hendrik Fuchs
Improving MPEG Audio Coding by Backward Adaptive Linear Stereo Prediction#4087
Frank Baumgarte, Charalampos Ferekidis, and Hendrik Fuchs
A Nonlinear Psychoacoustic Model Applied to the ISO/MPEG Layer 3 Coder#4088
Gerald Schuller
A Low-Delay Filter Bank for Audio Coding with Reduced Pre-Echoes#4089
Laurent Mainard and Pierrick Philippe
The Modulated Phasor Transforms#4090
Sung-Hee Park, Yeon-Bae Kim, Sang-Wook Kim, and Yang-Seock Seo
Fast Algorithm on MPEG/Audio Subband Filtering#4091
Do Hyung Kim and Yang Seock Seo
Digital Audio Coding Based on the Look-Up Table#4092
Sean E. Olive, Peter L. Schuck, Sharon L. Sally, and Marc Bonneville
The Variability of Loudspeaker Sound Quality Among Four Domestic-Sized Rooms#4093
Soren Bech
Perception of Reproduced Sound: Audibility of Individual Reflections in a Complete Sound Field, II#4094
David Moulton
The Significance of Early High-Frequency Reflections from Loudspeakers in Listening Rooms#4095
Roy Allison
Imaging and Loudspeaker Directivity: To Beam or Not to Beam#4096
Soren Bech, Villy Hansen, and Wieslaw Woszczyk
Interaction Between Audio-Visual Factors in a Home Theater System: Experimental Results#4097
Daniel J. Levitin and Perry R. Cook
Absolute Memory for Musical Tempo#4098
Robert C. Maher
Tunable Band-Pass Filters in Music Synthesis#4099
Udo Zulzer and Thomas Boltze
Parametric Digital Filter Structures#4100
R. J. Clark, E. C. Ifeachor, and G. M. Rogers
The Study of Arithmetic and Wordlength Requirements for Digital Audio Filtering Hardware#4101
Thomas Boltze
Interpolation via Least Squares Modeling#4102
Wolfgang Klippel
Filter Structures to Compensate for Nonlinear Distortions of Horn Loudspeakers#4103
Steven R. Norsworthy
Dynamic Dithering of Delta-Sigma Modulators#4104
Robert Adams and Tom Kwan
Continuously Variable Interpolation/Decimation Filters for Oversampling Converters#4105
Efficient Linearization of Sigma�Delta Modulators with Digital-Domain Dithering#4106
Anthony J. Magrath and Mark B. Sandler
Power Digital-to-Analog Conversion Using Sigma-Delta Pulse Inversion Techniques#4107
Christopher Wendt
Auralization of Variable Room Acoustic Reverberation and Multimicrophone Placement Using Signal Processing#4108
David R. Schwind, Christopher J. Struck, and Anthony P. Nash
The Early Sound Field in Performance Halls#4109
Kazuhiro Iida, Koichiro Mizushima, Yoshiaki Takagi, and Takayuki Suguta
A New Method of Generating Artificial Reverberant Sound#4110
R. Hoehne, A. Roy, and G. Schroth
Comparing Investigations on Perceptibility of Sound Field Differences#4111
Kevin E. Heber
Test Signals for Subjective Vehicle Audio Evaluation#4112
Shokichiro Yoshikawa, Satoru Noge, Masatoshi Ohsu, Soichi Toyama, Hirofumi Yanagawa, and Takeo Yamamoto
Sound-Quality Evaluation of 96-kHz Sampling Digital Audio#4113
Ralph Glasgal
Ambiophonics: The Synthesis of Concert Hall Sound Fields in the Home#4114
Peter D'Antonio
Two Decades of Diffusor Design and Development#4115
Trevor J. Cox
Diffusion Parameters for Baffled Diffusors#4116
J. A. S. Angus, A. C. Marvin, J. Clegg, J. F. Dawson, and A. Knobloch
The Effect of Acoustic Diffusors on Room Mode Decay#4117
James A. S. Angus
Using Modulated Phase Reflection Gratings to Achieve Specific Diffusion Characteristics#4118
Mendel Kleiner, Hans Gustafsson, and Joakim Backman
Measurement of Directional Scattering Coefficients Using Near-Field Acoustic Holography and Spatial Transformation of Sound Fields#4119
Chuck Peplinski and Allen Miller
Motional Voltage as a Distortion Mechanism in Loudspeakers#4120
Rupert Neve
Designs and the Designer: A Point of Reference#4121
Hidehiro Ishii, Tokihiro Takahashi, Takashi Kato, and Sumitaka Matsumura
The Application of a New High-Density Optical Disc for Audio#4122
Shuji Saiki, Sawako Usuki, Ryo Yano, and Satoshi Koura
A Directivity Controlled Loudspeaker System with Low Distortion#4123
J. W. East, P. A. Frindle, and S. I. Harrison
Philosophy and Implementation of a High-End Assignable Control Surface for a Digital Audio Mix System#4124
Peter Eastty, Conrad Cooke, Rod Densham, Tetsuya Konishi, and Takashi Matsushige
The Hardware Behind a Large Digital Mixer#4125
Peter Eastty, Rod Densham, Nick Haynes, William Kentish, and Chris McCulloch
The Software Behind a Large Digital Mixer#4126
Paul A. Frindle
Design Considerations for Successful Analog Conversion Systems for Large-Scale Digital Audio Console Applications#4127
Andrew Reilly, David McGrath, and Bengt-Inge Dalenbock
Using Auralization for Creating Animated 3-D Sound Fields Across Multiple Loudspeakers#4128
M. J. Walsh and D. J. Furlong
Improved Spectral Stereo Head Model#4129
Martin Dietz, Harald Popp, Karlheinz Brandenburg, and Robert Friedrich
Audio Compression for Network Transmission#4130
Karlheinz Brandenburg and Marina Bosi
Overview of MPEG-Audio: Current and Future Standards for Low Bit-Rate Audio Coding#4131
Regina Schmitt
Causes of Nonlinear Compression Driver Distortions and Their Audibility#4132
Berhard Grill and Karlheinz Brandenburg
A Two- or Three-Stage Bit-Rate Scalable Audio Coding System#4133
Wieslaw Woszczyk, Soren Bech, and Villy Hansen
Interaction between Audio-Visual Factors in a Home Theater System: Definition of Subjective Attributes#4134
Chris Dunn and Mark Sandler
Psychoacoustically Optimal Sigma-Delta Modulation#4135
Bob Crane, Mike Lemp, John Combs, Robert Girard, Karl Fitzke, Fred Thomke, Ron Neely, Jeff Berryman, and John Crawford
An Open Modular Architecture for Computer-Controlled Sound Systems#4136
D. B. (Don) Keele, Jr.
Time-Frequency Display of Electroacoustic Data Using Cycle-Octave Wavelet Transforms#4137
Scott Norcross and John Vanderkooy
A Survey of the Effects of Nonlinearity on Various Types of Transfer-Function Measurements#4138
Jeffery S. Bamford and John Vanderkooy
Ambisonic Sound for Us